The article presents a critique of sonnets that appear in the books Rimas humanas (1602), Rimas humanas y divinas del licenciado Tomé de Burguillos (1634), by Lope de Vega (1562-1635), particularly focusing on the Spanish rivers Betis, or Guadalquivir River, and the Manzanares River, which appear in the poems. Emphasis is given to the emotional significance of the rivers in the poems, Lope\u27s move from Baroque literary conventions to the Petrarchan mode, and the figure Lucinda, who represents Micaela de Luján, one of Lope\u27s lovers
