The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales
Abstract
This article problematizes the affective capacities of popular music to perform tactical and sometimes violent disruptions in conventional thought, especially when these capacities are oriented toward political activism. I offer a critical analysis of “Attack” and “Holy Mountains” (Hypnotize 2005), two songs by Los Angeles heavy metal band System of a Down. I also examine the melding of the disruptive aesthetics of heavy metal with socially conscious lyrics, and contestations over historical memory, specifically the recognition of the Armenian genocide. I ask what potential this music has to signal new and different ways of (re)thinking history and inquire into the questions that arise from such a strategy
