Nemogoča avantgarda Vladana Radovanovića

Abstract

The term nesuđena avangarda (“undestined avant-garde”) was coined by Milorad Belančić to describe Vladan Radovanović’s unique artistic destiny. Although Radovanović was the only truly avant-garde Serbian composer in the post-World War II Yugoslavia, his output was overlooked and sidelined. In this article I discuss the circumstances that rendered Radovanović’s avant-garde unrecognised, irrelevant and invisible for many decades.Izraz nesuđena avangarda (»nesojena avantgarda«) je skoval Milorad Belančić, da bi z njim opisal edinstveno umetniško usodo Vladana Radovanovića. Čeprav je bil Radovanović edini resnično avantgardni srbski skladatelj v Jugoslaviji po drugi svetovni vojni, je bilo njegovo delo prezrto in potisnjeno na rob. V članku obravnavam okoliščine, zaradi katerih je bila Radovanovićeva avantgarda desetletja neprepoznana, nepomembna in nevidna