Nicknamed as the “Parrot of India” for his exceptional eloquence, Amīr Khusraw of Delhi (1253–1325) wrote elaborate prose introductions to all his dīvāns, but the one he wrote to his Ghurrat al-kamāl (The Full Moon of Perfection)—compiled around 1293–94, at the approximate age of 43—is particularly important because of his critique of Arabic and Persian poetry in general, and the critique of his own writing in particular. As a literary critique by an author of Turko-Indian background, who emulated the styles of various great Persian poets from Ghazni (in modern-day Afghanistan) to Shiraz and Isfahan (in modern-day Iran), to Ganja (in modern-day Azerbaijan), Amīr Khusraw’s work would provide valuable insights into the literary sphere of the medieval Persianate world. The present paper summarizes the author’s first part of the introduction to his third dīvān, Ghurrat al-kamāl (The Full Moon of Perfection), followed by an English translation of the section where he critiques his own poetry and prose
