The shifting tensions between two major features of the dissemination of music in the early modern era – between manuscript and printed transmission on the one hand, and between “centre” and “periphery” on the other – are explored in this paper via the example of the dissemination of the motet Aspice Domine by Jacquet of Mantua. Central to the dynamics of both is the evolution of an expanding market for
printed books of music, a process stimulated by technological innovation as well as by significant changes in societal attitudes towards the art
of music itself – changes that were themselves promoted through the medium of print.Prispevek se posveča spreminjajočim se težiščem dveh večjih aspektov širitve glasbenih virov v zgodnjem novem veku – med razširjanjem v rokopisih in tiskih na eni strani ter med geografskimi »središči« in »obrobji« na drugi. Procesi so prikazani na primeru širitve moteta Aspice Domine Jacqueta iz Mantove. V središču dinamike obeh procesov sledimo razvoju rastočega trga za tiskane glasbene knjige, ki so ga stimulirali tako tehnološki izumi kot pomembne spremembe odnosa družbe do same glasbene umetnosti, spremembe, ki so se same promovirale skozi medij tiska
