We propose a study of the transdiscursive and transaesthetic strategies of political and poetic resistance of three Argentinian writers who update
the problematic of biopower in this new millennium: Mariana Enríquez and
her short novel Chicos que vuelven, Gabriela Cabezón Cámara (with Iñaqui Echeverría) the graphic novel Beya (le viste la cara a dios) and Selva Almada with her
chronicle Chicas muertas
