Drawing is the productive space of the
exchange between memory and reason. It does
not matter if it is "phenomenalized"—in the
sense that the work carried out is the
immediate depository of the creative idea (as it
was originally)—or "mediated", since the
graphic mediator precedes execution or
anticipates modification.
Taking some of the evidence found in the Telles-
Sultan and Çatalhöyük sites as a starting
point, the proposed analysis is a reconstruction
"exercise" on the origin of the first human
communities, the development of a criterion
allowing us to provide some keys to register the
leaps in changes and transformations
throughout history.
The fundamental objective of this study is to
establish a plausible hypothesis that could
contribute to clarify the where, how, when and
why of the advent of technical drawing as an
instrument of mediation between the will, the
idea oriented to satisfy primary human needs
and the executed project; that is, the necessary
tool to objectively establish the characteristics
and connotations of the habitat that transcends
the natural environment and whose
systematization has allowed the development
of more sustainable construction typologies