The dissertation Dissociating Society: Knowledge, Affect and Performativity in immigrant integration monitoring analyses a work of dissociation by investigating the performative practices and effects of immigrant integration monitoring. It shows how statistical knowledge production of those classified in one way or another as ‘immigrants’ and their so-called integration enacts a racialized imaginary of society. Through two focal points, narrating and affect, the dissertation demonstrates what is produced ‘between the walls’ of social scientific knowledge production that is intricately tied to population management by the state. It does so through a multi-sited ethnography of monitoring practices at various institutions and academic networks in four West European countries.
The chapters of the dissertation show and claim the making of difference-as-racialized distance in images of immigrant integration, the narration of perpetual arrival of ‘immigrant’ characters compared to those already in society, an imagination of ‘there’ on the basis of constantly questioning ‘where are you from?’, and the active presence of a societal gaze through which seeing is distr
