Department for Croatian studies, Faculty of Philosophy, University of Rijeka
Abstract
Rad analizira roman Daše Drndić Leica format (2003) iz perspektive diskurzne stilistike
i to tako što motri na koji se način načelo interdiskurzivnosti artikulira na stilskoj razini
romana pri čemu upravo radikalno ogoljeni interdiskurzivni šavovi postaju polazišnom
točkom interpretacije. Kao temeljna interdiskurzivna figura u ovom romanu uzima se
fuga koja istovremeno konotira složenost, polifoničnost i interdiskurzivnu premreženost
romanesknog teksta, a na metarazini otvara pitanje pamćenja i zaborava, oblikovanja i
prenošenja znanja te njegova kodiranja u jeziku i diskurzu. Analiza pokazuje kako u
navedenom romanu Daša Drndić mapira osobnu i kolektivnu povijest usložnjavanjem i
kolažiranjem različitih tipova tekstova, žanrova i diskurzā te kako se pritom stilistički
zahvati na grafičkom planu romanesknog teksta produžuju u područje njegove semantike.The paper discusses Daša Drndić’s novel Leica format from the perspective of discourse stylistics
by analyzing the way interdiscursivity manifests itself on the stylistic level of the novel, laying
bare the interdiscursive sutures and thus making them the interpretative stronghold of the novel.
The basic interdicursive figure in the novel is fugue which implies complexity, polyphony and
interdicursive structure of the text and at the same time raises the questions of remembrance and
oblivion, formation and transfer of knowledge and its coding in language and discourse. The
analysis shows how Daša Drndić’ novel maps individual and collective history by combining and
collaging different types of texts, genres and discourses and how the stylistics procedures on the
graphical level of the novel extend into the sphere of its semantics
