Atanasovski, Srđan

Serbian Academy of Science and Arts Digital Archive (DAIS)

Univerza v Ljubljani, Filozofska fakulteta, Oddelek za muzikologijoUniversity of Ljubljana, Faculty of Arts, Department of MusicotogyODDELEK ZAMUZIKOLOGIJO 50 LKTMednarodni muzikoloski simpozijMed univerzalnim in lokalnim:od modernizma k postmodernizmuProgramska knjizicaInternational musicological conferenceBetween Universal and Local:From Modernism to PostmodernismProgramme bookletLjubljana, 28.-30. September 2015CIP - Katalozni zapis o publikacijiNarodna in univerzitetna knjiznica, Ljubljana78.036(082)78.038.6(082JMEDNARODNI muzikolos'ki simpozij (2015 ; Ljubljana)Med univerzalnim in lokalnim : od modernizma k postmodernizmu : programskaknjizica = Between universal and local : from modernism to postmodernism :programme booklet / Mednarodni muzikoloski simpozij - InternationalMusicological Conference, Ljubljana, 28.-30. September 2015 ; [organizacijaOddelek za muzikologijo Filozofske fakultete (Univerza v Ljubljani) = organisationDepartment for Musicology of Faculty of Arts (University of Ljubljana) ; uredilGregor Pompe]. - Ljubljana : Znanstvena zalozba Filozofske fakultete, 2015ISBN 978-961-237-769-41. Gl. stv. nasl. 2. Vzp. stv. nasl. 3. Pompe, Gregor 4. Filozofska fakulteta(Ljubljana). Oddelek za muzikologijo281306880Med univerzalnim in lokalnim: od modernizma k postmodernizmuMednarodni muzikoloski simpozij, posvecen 80-letnici skladateljev VinkaGlobokarja in Lojzeta LebicaBetween Universal and Local: From Modernism to Postmodernismsicological conference, dedicated to the SO11composers Vinko Globokar and Lojze LebicInternational mu80th anniversaries ofOrganizacija/Organisation:Oddelek za muzikologijo Filozofske fakultete (Univerza v Ljubljani) / Department forMusicology of Faculty of Arts (University of Ljubljana)ODDELEK ZAMUZIKOLOGIJO50 LETVsodelovanju z/ln cooperation with:Slovensko muzikoloSko drustvo (Slovenian Musicological Society) in/and Svetovni glasbenidnevi Slovenija 2015 (World Music Days Slovenia 2015)SLOVENSKO IE SLOVENIAN 2015 si /rrni/ni rsi nsorni nnn n f\>5UCTQUDI OLPDUUni OREWI J \^ MuziKOLoSKO MUSICOLOGICALUJDDLG mUStC QPy5 DRUSTVO l| SOCIETYSLOUCniP 2015Castni pokrovitelj'/ Honorary patronage:Slovenska akademija znanosti in umetnosti (Slovenian Academy of Sciences and Arts)PROGRAMME / PROGRAMMonday, 28th of September/ Ponedeljek, 28. SeptemberFaculty of Arts, Askerceva 2, Ljubljana, Blue Room/ Filozofska fakulteta, Aikerieva 2, Ljubljana, modra soba08.30Check-in/ Prljava09.00Welcome speeches/ Pozdravni nagovoriDr Gregor Perko (vice-deen of Faculty of Arts/ prodekan Filozofske fakultete)Acad. Dr Joze KraSovec (vice-president of Slovenian Academy of Sciences and Arts/ pcdpredsednikSlovenskeakademije znanosti in umetnosti)Vesna Veniinik (President of Slovenian Musicological Society/ predsednica Slovenskega muzikoloskega druStva)09.30-10.45Modernism - postmodernism - globalization? (chair: Gregor Pompe)/ Modernizem - postmodernizem -globalizacija? (vodja: Gregor Pompe)Keynote speaker l/Vabljeno predavanje I: Niksa Gligo, Globalization and/or pluralism. But what about musics,their styles, techniques and... musicology? (Globalizocija in/all pluralizem. Kaj paglosba, njenislogi, tehnike in...muzikologija?)Nathan Thompson, Natural Systems in Experimental Music Composition [Naravni sistemi v eksperimentalniglasbi)10.45-11.00Coffee break / Odmor za kavo11.00-12.30Basics of Modernism (chair: Matja? Barbo)/ Osnove modernizma (vodja: Matjai Barbo)Manuel Farolfi, "Consciousness of time", "corresponding past", "new beginning": canons of Modernism at workin Pierre Boulez'writings 1948-52 (»Zavest o £asu« , »odgovarjajoca preteklost« , »novi zac"etek«: kanonimodernizma v delih Pierra Bouleza 1948-1952)Lai Hei Yeung John, Open Form and Pitch Organization in Boulez's Third Piano Sonata, "Constellation" (Odprtaoblika in organizacija tonskih visin v Boulezovi Tretji klavirski sonati, »Constellation«)Ka-man Choi, A P/oyo/Differance in Kagel's Anagrama (1957-58): New Modes of Music-text Interaction (Igradifference v Kaglovisktadbi Anagrama (1957-1958): novinaciniinterakcije medglasbo in besedilom)12.30-14.30Lunch break/ Kosilo14.30-16.00Minimalism (chair: NikSa Gligo)/ Minimalizem (vodja: NikSa Gligo)Julija Jonane, From Modernism to Postmodernism: the Modulation and Correlation between Two Styles in theContext of Musical Works of Sacred Minimalists (Od modernizma k postmodernizmu: spreminjanje insoodvistnost dveh slogov v kontekstu glasbenih del svetih minimalistov)Marija Masnikosa, Minimalism and Postminimalism in Serbian music. Coexistence instead of Succession(Minimalizem in postminimalizem v srbski glasbi: sobivanje namesto sosledja)Kjell Skyllstad, ̂  draft for neo-humanism. Arne Nordheim and Solvatore Quasimodo (Skica neohumanizma. ArneNordheim in Salvatore Quasimodo)16.00-16.15Coffee break / Odmor za kavo16.15-18.00Postmodernism and popular culture (chair: Kenneth Gloag)/ Postmodernizem in popularna kultura (vodja:Kenneth Gloag)Owen Hubbard, Patricide or Pluralism?: {Post)modernity, Globalisation, and Countercuttural Aesthetics in theMusic of Stockhausen and Can, 1963-1975 (Ofetomor alipluralizem?: tpostjmodernost, globalizoclja Inprotikulturna estetika v glasbi Stockhausna in skupine Can, 1963-1975)Richard Duckworth, Laibach vs. The Beatles: "Let It Be" and the postmodern reworking of the modernist classic(Laibach vs. The Beatles: aLet it bea In postmoderno predrugacenje modernistifne klasike)Hui Ka Chun Ernest, Sonic Portrayal of Cultural Diversity—Hong Kong Jazz-fusion BandSIU2 (Zvotni prikazkulturne raznolikosti: jazz-fusion skupina SIU2 iz Hong Kongo)20.00Concert (Conservatory for Music and Ballet, I2anska cesta 12, Ljubljana} / Koncert (Konservatorij za glasbo inbalet, Izanska cesta 12, Ljubljana)Unicum: Neofonia (conductor/dirigent: S. Loy, soloist/solist: M. Walentynowicz)K.-Y. Chan, T. Harenda, A. Zagajkevtf, U. Rojko, S. Na, I. Buffa, K. Wotek22.00Concert (Hotel Four Points by Sheraton Ljubljana Mons, Pot za Brdom 4) / Koncert (Hotel Four Points bySheraton Ljubljana Mons, Pot za Brdom 4)The Chamber Night of Slovene Composers / Komorna not slovenskih skladateljevD. Bavdek, B. Je*-Brezavf£ek, Z. Stanif, P. Kopa£, I. Stuhec, C. Sojar Voglar, H. Vidic, T. SveteTuesday, 29th of September/ Torek, 29. SeptemberFaculty of Arts, Askerfeva 2, Ljubljana, Blue Room/Filozofska fakutteta, Askerfeva 2, Ljubljana, modra soba09.00-10.45"Different timesK (chair: Marija Masnikosa)/ wRazlicni £asi« (vodja: Marija Masnikosa)Keynote speaker ll/ Vabljeno predavanje II: Kenneth Gloag, Postmodern Times {Postmodern! casi]Helmut Loos, Modernism - postmodernism: Controversy of Basic Structures of Musical Thinking (Modernizem -postmodernizem. Kontroverzne osnovne strukture glasbenega miiljenja)10.45-11.00Coffee break / Odmor za kavo11.00-12.30Examples of postmodernism (chair: Milena Bozhikova)/ Primer) postmodernizma (vodja: Milena BoJikova)Moeko Hayashi, Modernism, Postmodernism and Globollsm; Takemitsu, November Steps (Modernizem,postmodernizem in globalizem: Takemicu, November Steps)Gregor Pompe, Bernd Alois Zimmermann's Requiem fiir einen jungen Dichterond Leonard Bernstein's Mass:European and American postmodernism or pluralism vs. eclecticism (Requeimfur einen jungen Dichter/n MasaLeonardo Bernsteino: evropski in ameriski postmodernizem ali plural'uem proti eklekticizmu)Jana Lindterova, Musical quotation as a fundamental way for expressing a message in the work of AlfredSchnittke (Glasbeni citat kot osnovni nadin izrazanja sporot^ila v ustvarjalnosti Alfreda Schnittkeja)12.30-14.30Lunch break/ Kosilo1430-16.00Postmodernism in Eastern Europe I (chair: Graf ina Daunovariciene)/ Postmodernizem v vzhodni Evropi I(vodja: Grazina Daunovariciene}Janis Kudins, Stylistically Conservative and Vivid Postmodernism without Clear Modernism Period Previously:Some Specific Problems of Latvian Music Historiography (Stogovno konservativen in zivaben postmodernizem vodsotnosti modernizma: nekateri specififni problem/ latvijskega glasbenega zgodovinopisja)10Kamile Rupeikaite, The Semantics of Music ofAnatolijus Senderovas (Semantika glasbe AnatolijusaSenderovasa)Joanna Schiller-Rydzewska, Different faces of postmodernism in the worksof contemporary composers of theGdansk milieu (Razlifni obraiiposmodernizma v delih sodobnih skladateljev iz Gdanska)16.00-16.15Coffee break / Odmor za kavo16.15-18.00Postmodernism in Eastern Europe II (chair: Janis KudinS)/ Postmodernizem wzhodni Evropl II (vodja: JSnisKudini)Viktorija Kolarovska-Gmirja, "Others' Word" in the Creative Work of Macedonian Composers (aBesedo drugih"v ustvarjatnosti makedonskih skladateljev}Tatiana Pirnikova, The Way from Modernist Positions to Intimate Lyrical Position of a Composer Oto Ferenczy(Pot od modernista k intimnemu liriku - skladatelj Oto Ferenczy)Ira Prodanov KrajiSnik, Local and Global in the Opera Mileva byAleksandra Vrebalov (Lokalno in globalnovopen Mileva Aleksandre Vrebalov)20.00Concert (Slovenian Philharmonic Hall, Kongresni trg 10, Ljubljana) / Koncert {Slovenska filharmonija, Kongresnitrg 10, Ljubljana)Slovenian Philharmonic String Chamber Orchestra / Komorni godalni orkester Slovenske filharmonije(conductor/dirigent: S. Krecic, soloists/solisti: M. Kolbl, J. Podlesek, G. Lipus)J. Repetkaite, 0. Kroupova, P, Geminiani, A. Beste, P. Ragnar Palsson, A. Srebotnjak, U. Krek22.00Concert (Slovenian Philharmonic Hall, Kongresni trg 10, Ljubljana) / Koncert (Slovenska filharmonija, Kongresnitrg 10, Ljubljana)Young Composers of Academy of Music Ljubljana / Mladi skladatelji ljubljanske Akademije za glasboEnsemble Microsonus (conductor/dirigent: D. Steklasa)K. VreciC, A. Pivko Knezevii, I. Kocen, T. Lebar, S. Pensek, U. JaSovec, D. Steklasa11Wednesday, 30th of September/ Sreda, 30. septembraFaculty of Arts, ASkerceva 2, Ljubljana, Blue Room/Filozofska fakulteta, Aikerfevo 2, Ljubljana, modra sobo09.00-10.4SInterdisciplinary questions (chair: Gregor Pompe)/ Interdisciplinarna vpraianja (vodja: Gregor Pompe)Keynote speaker III/ Vabljeno predavnje III: Petra Ceferin, The Creative Practice (of Architecture): Insisting onthe In-between (Kreativna praksa (arhitekture): uveljavljanje pozicije in-between)Srdan Atanasovski, Romanticism Out of Joint: Henri Lefebvre and Rbythmanalysis (Romantika v nepravem casu:Henri Lefebvre in analiza ritma)Milena Bo2ikova, Contemporary music between the history and the eschatology (Sodobna glasba medzgodovino in eshatotogijo)10.45-11.00Coffee break / Odmor za kavo11.00-12.30Fin desiicle modernism {chair: Ales Nagode)/ Moderna obdobja//n t/esiVc/e (vodja: Ales Nagode)Alessando Miani, Towards a semantics of postmodern music: an integrative approach [K sematnikipostmoderne glasbe: povezovalni pristop)Marc Brooks, Modernist Masculinities in Zemtinsky's Der Konig Kandaules (Modernisticne znacilnosti maskega vopen Kralj Kandaules Alexandra Zemlinskega)Grazina Daunovariciene, Between "the West" and "the Rest", looking from the perspective ofparatacticcomparativism: M. K. tiurlionis' musical creation as an example of peripheral European musical modernism inits early stages (Gtasbeno ustvarjanje M. K. tiurlionisa kot primer modernizma 2 obrobja Europe vzgadnjemobdobju razvoja)12.30-14.30Lunch at §pajza restaurant (Gornji trg 28, Ljubljana) / Kosilo v restavraciji Spajza (Gornji trg 28, Ljubljana)14.30-16.00Performance & production I (chair: Helmut Loos)/ Izvedbene in produkcijske prakie I (vodja: Helmut Loos)12Cristina Scuderi, Contemporary opera in the Italian theatres from the second postwar period to the Seventies(Sodobna opera v italijanskih gledalisrjih v obdobju od zakljucka druge svetovne vojne do sedemdesetih let)Jane Alden, Sounds Visual: Cornelius Cardew's Reconstruction of Notation (Zven vidnega: Cardewovarekonstrukcija notnega zapisa)Sirnone Heillgendorf, Warsaw Autumn, Wien Modern, and Festival d'Automne a Paris after the year 2000 in acomparative perspective: European or national forums for contemporary (art)music and culture? (VarSavskajesen, Wien modern in Jesenski festival v Parizu po letu 2000 v primerjalnem pogledu: evropski ali nacionalniforumi20 sodobno iumetnostno) glasbo in kulturo?}16.00-16.15Coffee break / Odmor za kavo16.15-17.30Performance & production II (chair: Katarina Bogunovid Hoe'evar)/ Izvedbene in produkcijske prakse II (vodja:Katarina Bogunovid HoCevar)Orhan Baba, New Musical Approaches at Nation - State in Turkey: Fascination of Local Sound (Novi glasbenipristopi k nocionalni drzavi v Turfiji: oiarljivost lokatnih zvokov)Ursa RihtarSic, (Discontinuities: making music in context of introducing electronic sound generators((Dis)kontinuitete: ustvarjanje gtasbe v kontekstu vpeljave elektronskih instrumentov)20,00Concert (Slovenian Philharmonic Hall, Kongresni trg 10, Ljubljana) / Koncert (Slovenska filharmonija, Kongresnitrg 10, Ljubljana)Unicum: Ensemble MD7 and guests / Unicum: Ansambel MD7 z gosti (conductor/dirigent: S. Loy)D. Rotaru, G. Fitzell, H. Kim, N. First, E. Y. Lee, N. Whiteman, C. Yao, T. Vulc22.00Concert (Slovenian Philharmonic Hall, Kongresni trg 10, Ljubljana) / Koncert (Slovenska filharmonija, Kongresnitrg 10, Ljubljana)Concert Atelier: Chamber Music/ Koncertni atelje: komorna glasbaJ. Je£, J. M. Quinteros, L. Rantigaj, C. Miller, Z. Cojocaru, R. Stivrina13Srdan AtanasovskiRomantlka v nepravem (asu: Henri Lefebvre in analiza ritmaZa francoskega filozofa in sociologa Henrija Lefebvreja, ki je zivel in ustvarjal v iasu, ko sta bila modernizem inpostmodern izem na okopih, se zdi, da ni bil iz svojega casa. Ob tern, da se ga ne da uvrstiti ne med modernistene med post moderniste, da se je jasno opiral na neortodoksni marksizem in da je imel za cilj odgovor na enosamo vpraSanje - kje najdemo pravo resnitnost -, je Lefebvre odkrito zagovarjal »novo romantiko«, ki bi nampomagala razumeti tezave sodobnega sveta, Ob spodkopavanju teoretifnega okolja svojega Casa je nastopalproti ustvarjanju nespremenljivih in navidezno novih teoretitnih konceptov in namesto tega zagovarjalraziskovanje sveta skozi ironicne preobrate tradicionalnih predstav, Pokazati zelim, da se je Lefebvre v svojihspisih globoko zapletel v temeljna vpraianja [postjmodernistifnin razprav, in sicer ob zamisli natinov zapremislek o radikalni imanenci. V prispevku se bom Se posebej osredotoc'il na njegovo zadnje vefje delo, ki ga jenedvoumno navdahnila glasba: na Studijo o »analizi ritma«, objavljeno leta 1992 (Elements de rythmanalyse:Introduction a la connaissance de rythmes). S pomocjo glasbenih prispodob, ki jih v njegovih delih kar mrgoli,avtor telo »analitika ritman predstavi kot metronom, ki poslusa in zaznava razlicne druzbene ritme, pri cemerzagovarja, da je, »tako kot nekdo poslusa simfonijo ali opero, mogoc"e poslusati tudi hiso, ulico, mesto«.Lefebvre se ukvarja tudi izrecno z glasbo in poskusa pokazati, kako je dinamika glasbenega toka zgrajena nadvojnem nasprotju kot tudi na boju med »izraznostjo« in »pomenom«, med svetim in posvetnim. A kljucnovprasanje, ki ga postavi v povezavi z glasbo, je, ali glasbeni £as sovpada z nzivetim £asom« oz. ali je glasbeni fasnerazreSljivo druibenoprostorski. S tem, ko odgovori pozitivno in se odpove mofnosti obstoja navideznegafasa, ki obstoji zunaj druzbenega prostora, se dejansko odrefe moznosti obstoja transcendentalnega»pomena« v odnosu do materialnega ritma telesa. £e vec- ko razpravlja o avtonomiji glasbe v povezavi zgovorjeno besedo, je Lefebvre resnicno naklonjen obstoju estetske avtonomije v povezavi s semanticnim. Takokot arhitektura v povezavi s prostorom, tako je glasba tista, ki estetizira cas, in njena eticna in katarzicna vloga vodnosu do estetike ni vloga »Drugega«, temvec" je pravto.Srdjan AtanasovskiRomanticism Out of Joint: Henri Lefebvre and RhythmanalysisLiving and writing in the age when modernism and postmodernism fought trench battles, French philosopherand sociologist Henri Lefebvre appears out of his time. Failing to be classified either as modernist or aspostmodernist, with a clear footing in non-orthodox Marxism and in his quest to answer the single question -what is the locus of the true reality - Lefebvre openly advocates "new romanticism" which would help us graspthe issues of the contemporary world. Subverting the theoretical milieu of his day, Lefebvre's discourse goesagainst creating fixed and ostensibly novel theoretical concepts and instead works by exploring the worldthrough ironical twists on traditional notions. I will argue that in his writing Lefebvre becomes heavilyembroiled in key questions of (post)modernist debates, namely, in conceiving the ways to think of radicalimmanence. In this paper I will particularly discuss Lefebvre last major work in which he explicitly drawsinspiration out of music: his study on "rhythmanalvsis", published in 1992 (Elements de rythmanalyse;Introduction a la connaissance de rythmes). Through musical metaphors, which abound in his writings, theauthor presents the body of the "rhythmanalyst" as a metronome that listens and perceives different socialrhythms, arguing that one is "capable of listening to a house, a street, a town as one listens to a symphony, anopera". Lefebvre also explicitly deals with music, trying to show how the dynamics of the flow of the music isconstructed in binary oppositions as well as in the conflict between "expression" and "meaning", between thesacred and the profane. However, the key question which Lefebvre poses in relation to music is whethermusical time coincides with the "lived time", that is, whether musical time is inextricably sociospatial.Answering affirmatively and renouncing the possibility of the existence of imaginary time that exists outsidethe social space, Lefebvre actually waives the possibility of the existence of "meaning" as transcendental inrelation to the material rhythm of the body. Furthermore, discussing the autonomy of music in relation to thespoken word, Lefebvre truly speaks in favour of the existence of aesthetic autonomy in relation to thesemantic. Similar to the architecture in terms of space, music is the one that aestheticizes time, and its ethicaland cathartic social role is not "the other" in relation to the aesthetic, but it is precisely contained therein.36MEDNARODNI MUZIKOLO$KI SIMPOZUINTERNATIONAL MUSICOLOGICAL CONFERENCEMED UNIVERZALNIM IN LOKALNIM: OD MODERNIZMA K POSTMODERNIZMUBETWEEN UNIVERSAL AND LOCAL: FROM MODERNISM TO POSTMODERNISM© Umvcrra v Ljubljani, Filozofska fakulteta.Uredil/Edited byGregor PompeAngleska besedila povzetkov in zivljenjepisov so objavljena, kot so jih posredovali avtorji.The English abstracts and CVs are published as provided by the authors.Organizacijski odbor/'Organizational CommitteeGregor Pompe (predsednik/dio/r}, Katarina Bogunovtf Ho£evar, Nejc SukljanProgramski odbor/Conference CommitteeMatjaz Barbo, Grazina Daunoravifiene, NikSa Gligo, Kenneth Gloag, Lojze Lebi£, AleS Nagode, Niall O'Loughlin,Gregor Pompe, Tijana Popovic Mladjenovid, Cornelia Szabo-Knotik, Michael WalterZalo£ila/Published byZnanstvena zalozba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Facultyof Arts)Izdal/lssued by: Oddelek za muzikologijo/Department of MusicologyZa zalozbo/For the publisher: Branka Kalenic RamSak, dekan Filozofske fakuftete/ Branka KalenicRamsak, the dean of the Faculty of ArtsNaklada/Pn'nr/ng: 100 izvodov/cop/esLjubljana, September 2015

Romanticism Out of Joint: Henri Lefebvre and Rhythmanalysis

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Romanticism Out of Joint: Henri Lefebvre and Rhythmanalysis

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