Structures of Time: Expressions of Subjectivity and Social Politics in works by Silvia Gruner, 1986–2014

Abstract

The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture