Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
Doi
Abstract
Arthur Lourié’s conception of revolution (political as well as cultural) is
explored through his writings, with particular emphasis on its evolution from
his Russian period to his Parisian and American exiles. Analyzing Lourié’s
Eurasianist views specifically I argue that through his association with
Eurasianism and his engagement with Neoclassicism Lourié did not abandon his
revolutionary disposition; the means through which his revolutionism was
pursued as well as the ideals that shaped it were merely redefined, while
remaining firmly grounded in the Silver Age