L’ombre de la femme, dans l’œuvre Mourir de ne pas mourir de Paul Eluard

Abstract

The women’s presence study in someÉluard’s poems of his book Mourir de ne pasmourir highlights the baroque influence inhis poetry. Our work builds on the majorthreads of meaning at the heart of eachpoem: the fertility of the titles constitutingisotopic networks within poems, the coherenceof their imaginative networks, the neobaroque significant features, the corroborativerhythm and syntax. Through this approach,enunciative aspects of those worksappear underlining a period of crisis in thepoet’s life