Revue plurilingue : Études des Langues, Littératures et Cultures
Abstract
This article is a modest reflection on identity issues in The gone of chaâba and its film adaptation. A large space will be devoted to writing strategies adopted by Azouz Begag to represent complex issues such as the identity, the otherness and the gaze of the Other. From the migratory phenomenon, racism, marginality, wandering of the first generation, we pass to the rejection of the enslavement, to the challenge and the engagement of the children coming from the second generation of the immigration
