Cilj istraživanja je ispitati razlike izmeĎu žena i muškaraca u tremi prilikom javnog glazbenog nastupanja, perfekcionizmu i glazbenoj samoefikasnosti, te ispitati povezanosti izmeĎu ta tri konstrukta. Podaci su prikupljeni na uzorku 153 studenta Muzičke akademije u Zagrebu koji su ispunjavali sljedeću bateriju upitnika: Revidirana ljestvica anksioznosti prilikom javnog glazbenog nastupanja (K-MPAI-R), Revidirana ljestvica težnje perfekcionizmu (R-APS) i Ljestvica glazbene samoefikasnosti (MPSES). UtvrĎeno je postojanje značajne rodne razlike u doživljaju treme prilikom javnog glazbenog nastupanja, na tri faktora: tjelesna anksioznost i briga o nastupu (t(148)=2.29; p=.02), negativne kognicije (t(148)=3.26; p<.001) i psihološka ranjivost (t(148)=2.31; p=.02), te razlike u adaptivnom perfekcionizmu (t(148)=2.24; p=.03). Sve razlike su u smjeru veće izraženosti kod žena. Uz to, uzvrĎeno je postojanje pozitivne povezanosti treme prilikom javnog glazbenog nastupanja s neadaptivnim perfekcionizmom (r(150)=.65; p<.001), i negativne povezanosti s glazbenom samoefikasnošću (r(148)=-.50; p<.001). TakoĎer, dobivena je značajna negativna povezanost glazbene samoefikasnosti s neadaptivnim perfekcionizmom (r(148)=-.36; p<.001), te pozitivna povezanost s adaptivnim perfekcionizmom (r(148)=.21; p=.01).The aim of this study was to examine gender differences in musical performance anxiety (MPA), perfectionism and music performance self-efficacy, as well as to examine relationships between those three constructs. The data were collected on a sample of 153 college students at Music academy in Zagreb, who responded to three different questionnaires: Kenny Music Performance Anxiety Inventory-Revised (K-MPAI-R), Almost Perfect Scale-Revised (R-APS) and Music Performance Self-Efficacy Scale (MPSES). The results show a significant gender difference in MPA, with women experiencing higher levels of MPA on three factors: proximal somatic anxiety and worry about performance (t(148)=2.29; p=.02), negative cognitions (t(148)=3.26; p<.001) and psychological vulnerability (t(148)=2.31; p=.02), and also in adaptive perfectionism (t(148)=2.24; p=.03). Additionally, the following correlations were significant: MPA and maladaptive perfectionism correlated positively (r(150)=.65; p<.001) and MPA and music performance self-efficacy negatively (r(148)=-.50; p<.001). Furthermore, music performance self efficacy correlated negatively with maladaptive perfectionism (r(148)=-.36; p<.001), and positively with adaptive perfectionism (r(148)=.21; p=.01)
