Artistic word of Fyodor Dostoyevsky in contemporary culture (An introduction to the theatrical and film adaptation of the literary text)

Abstract

In accordance with theatrical and cinematographic experiments, in the space of model extensive complexity of Dostoyevsky's text, immanent readiness of the verbal material to transform into another type of artistic expression in order to reveal mentally meaningful operations inflicted by the initial impulse of adapted reality can define itself as a distinctive factor of the forming function of the word of the Russian master in the contemporary culture.In accordance with theatrical and cinematographic experiments, in the space of model extensive complexity of Dostoyevsky's text, immanent readiness of the verbal material to transform into another type of artistic expression in order to reveal mentally meaningful operations inflicted by the initial impulse of adapted reality can define itself as a distinctive factor of the forming function of the word of the Russian master in the contemporary culture.In accordance with theatrical and cinematographic experiments, in the space of model extensive complexity of Dostoyevsky's text, immanent readiness of the verbal material to transform into another type of artistic expression in order to reveal mentally meaningful operations inflicted by the initial impulse of adapted reality can define itself as a distinctive factor of the forming function of the word of the Russian master in the contemporary culture