„Nije na pjesniku da se klanja kralju”. Pozicija disidenta u hrvatskoj teatrologiji – slučaj Ivšić

Abstract

The paper discusses the position of Croatian playwright Radovan Ivšić in Croatian theatre historiography, before and after the independence of Croatia in the nineties. The research results point to three major phases in Ivšić’s reception in Croatian theatre historiography – the rejection, acceptance and canonization.The paper discusses the position of Croatian playwright Radovan Ivšić in Croatian theatre historiography, before and after the independence of Croatia in the nineties. The research results point to three major phases in Ivšić’s reception in Croatian theatre historiography – the rejection, acceptance and canonization