Strolling the Lingnan Garden = 涓流彩園錄, 2016-2019 : 上集

This current collection (Part 1) is a documentation of the Lingnan Gardeners project, from January 2016 up till December 2017. The 21 issues of Lingnan Gardeners Newsletter are collected here, which give some sense of what was happening month by month, in words and pictures. Included are also some related articles on the project, academic interviews, reflections on exchange visits and thoughts after gardening. 本結集 (上集) 是嶺南彩園項目從2016年1月至2017年12月的活動總結。這裡收集了21期《嶺南彩園通訊》，每月發生的活動和留影記錄在這裡。還收錄了一些與項目相關的文章，有學術訪談、交流回顧及參與者感言。https://commons.ln.edu.hk/ln_gardeners_book/1019/thumbnail.jp

[[alternative]]A Study of Decadent Aestheticism and Urban Literature in Taiwan

計畫編號：NSC90-2411-H032-005研究期間：200108~200307研究經費：285,000[[sponsorship]]行政院國家科學委員

고려 후기 시가의 계통과 형성과정 고찰

This study looks for the formation process and lineage of the various types of poems in the Late Goryeo Period. In the field of short size poetry, a type of single stanza form of the native poetry style had decayed since the end of the 12th century. Then around the 14th century, the pre-sijo type(前時調型) developed, making condensed and intensive expression of fragmental and momentary emotional experience. In the field of medium size poetry, as a single stanza form, the 10-line hyangga(鄕歌) of the native poetry from Shilla Period to the middle of the 10th century style decayed. A new type of poetry, the descendent of the previous style, developed around the 12th century, expressing emotional experience while making a limited but continuous description of knowledge of objects. Types in stanzaic form in a close relation with music complied with the needs to sing and expressed more than two emotional experiences or arguments. Included among these were a folksong type in the native poetry style and a native type based upon the former type, and several new types had sprung, since the end of the 13th century, under the influence ofChinese music and sanch"u(散曲) poetry in Yuan(元) Dynasty. As for the long size poetry, the needs to describe a systematic and vast poetic meaning in non-stanzaic form was met partially through a new type sprung from the influence of sanch"u poetry around the end of the 13th century. However, the pre-gasa type(前歌辭型) based upon the previous native poetry style met the needs around the 14th century

Strolling the Lingnan Garden = 涓流彩園錄, 2016-2019 : 下集

This current collection (Part 2) is a documentation of the Lingnan Gardeners project, from January 2018 up till December 2019. The 12 issues of Lingnan Gardeners Newsletter are collected here, which give some sense of what was happening month by month, in words and pictures. Included are also some related articles on the project – academic interviews, reflections on exchange visits, thoughts after gardening, as well as information about our partners and Lingnan garden healthy recipes (part one and two). 本結集 (下集) 是嶺南彩園項目從2018年1月至2019年12月的活動總結。這裡收集了12期《嶺南彩園通訊》，每月發生的活動和留影記錄在這裡。還收錄了一些與項目相關的文章，有學術訪談、交流回顧、參與者感言、夥伴機構介紹及彩園食譜 (上、下)。https://commons.ln.edu.hk/ln_gardeners_book/1020/thumbnail.jp

Lingnan Gardeners Newsletter (No. 17) = 嶺南彩園通訊 (第17期)

Grain Rain 穀雨https://commons.ln.edu.hk/ln_gardeners_newsletter/1016/thumbnail.jp

剪不斷，理還亂 : 港台文學關係之我見 = Literary relations between Hong Kong and Taiwan : a personal view

這篇拙文擬討論香港與台灣之間的文學因緣，由於論述對象有其特殊性，所以下文中有部分我會依學術慣例撰寫，而其他一一尤其涉及當代者——我則可能得跳出此一規範，由個人的經驗出之，回憶色彩可能重了些。此外，撰寫前我讀到了鄭樹森著《從諾貝爾到張愛玲》，後來又翻了梁秉鈞著《香港文化空間與文學》與單德興剛剛發表的〈冷戰時代的美國文學中譯：今日世界出版社之文學翻譯與文化政治〉，因三者都有專文——或本身即為專文——涉及香港與台灣之間的文學關係，而且各個寫得面廣而度深，是以除了徵引上的必要外，我也會盡量避開三氏業已談過者，一切但以個人管見所及為主。崔顥既已題了詩，眼前之景，我怎道得