Nice and Tidy: Translation and Representation

Across many disciplines, including sociology, anthropology, philosophy, cultural studies and sociolinguistics, writers and researchers are concerned with how language is used to construct representations of people in written and oral accounts. There is also increasing interest in cross-disciplinary approaches to language and representation in research. Within health, social care and housing research there is a rapidly growing volume of writing on, and sometimes with, people whose first language is not English. However, much empirical research in these fields remains at the level of 'findings' about groups of people with the issue of how they are represented remaining unexamined. In this article I discuss some of the different ways researchers have looked at issues of translation and representation across languages. As I show, some researchers have attempted to ignore or by-pass these issues in their research, some have given up the task as impossible and others have attempted the impossible. I argue that, although there can be no single 'correct' way for researchers to represent people who speak different languages, choices about how to do this have epistemological and ethical implications.Language; Minority Ethnic Communities; Representation; Translation; Reflexivity.

Introduction: Lincoln Cathedral and its Bishop

The papers presented in this book originate from an international symposium, “Architecture as Cosmology: Lincoln Cathedral and Bishop Robert Grosseteste (1235–53),” hosted by Lincoln Cathedral on the 21st and 22nd January 2012, and funded by the Paul Mellon Education Programme and the Faculty of Art, Architecture and Design at the University of Lincoln. Supported by the Bishop and Chancellor of Lincoln Cathedral, the symposium (and subsequent published work) constitute the culmination of a more extended research project begun by Nicholas Temple in 2003 and published in his Disclosing Horizons: Architecture, Perspective and Redemptive Space (Routledge, 2007), and further developed by John Hendrix in his two books, Robert Grosseteste: Philosophy of Intellect and Vision (Academia Verlag, 2010) and Architecture as Cosmology: Lincoln Cathedral and English Gothic Architecture (Peter Lang Publishing, 2011)

Officials of the Šamaš temple of Sippar as contract witnesses in the old Babylonian period

Little is known about the organisation of the Šamaš temple in Old Babylonian Sippar, the Ebabbar. This is due to the fact that the vast majority of attestations of the temple officials of the Ebabbar are to be found in the witness lists of contracts. In these lists they occur together, as a group. The present article analyzes the formative stages of this group, shedding light on institutional hierarchy, succession into temple offices, and the sealing practice of the time

Elizabeth Bouldin, Women Prophets and Radical Protestantism in the British Atlantic World, 1640–1730

Review of Bouldin, Women Prophets and Radical Protestantism in the British Atlantic World, 1640–1730. Available online at https://historywomenreligious.files.wordpress.com/2014/08/bouldin_temple_final_may20161.doc

Envisioning Geometry: Architecture in the Grip of Perspective

This book chapter examines the early developments of perspective in 15th century Florence, arguing that the conception of pictorial space in the Early Renaissance both drew upon late Medieval notions of luminary space and anticipated the 'geometrisation' of space in Modernity. The paper demonstrates this intermediate position (at once reflective and anticipatory) through an examination of the ideas of Nicolas Cusanus, Filippo Brunelleschi, Lorenzo Ghiberti and Leon Battista Alberti, all of whom presented different 'models' of perspective in the light of their own artistic predilections and architectural interests. A shared view however of the role and significance of perspective at this time concerns its capacity to redefine pictorially the civic and religious dimensions of the actual city. This is demonstrated in both Brunelleschi's perspective 'experiments' and Ghiberti's composition and spatial articulation of the 'Gates of Paradise' for Florence Baptistery. In the final section of the paper, I examine a photograph by Le Corbusier in which I demonstrate how his visual recording of his studio (articulated in a drawing by Peter Carl) applies similar methods of luminary and geometric relationships found in Renaissance pictorial space

Plotting the Centre: Bramante’s Drawings for the New St. Peter’s Basilica

This paper examines the concept of 'centre' in the design and symbolism of the new St Peter's Basilica, executed by Donato Bramante in the early 16th century. Drawing upon theological and philosophical notions of centre in late Medieval and Renaissance culture (specifically Nicolas Cusanus), the study argues that Bramante's drawings for the project reveal a particular understanding of centre, and its constellations of sub-centres, that broadly follow Platonic cosmological principles highlighted in the Timaeus. The paper considers how this understanding of space was also communicated in the iconography of the frescoes in the Stanza della Segnatura in the Vatican Palace, executed by Raphael at the same time as Bramante's design for the new basilica, in which Bramante is also credited as the author of the perspective construction

Balinese Temples

There is a temple; the name is Pura Dalem. It is the Kerambitan Temple by the post office. The name of the god there is Dewi Durga. Dewi Durga is like a body guard, and protects all of Kerambitan. [excerpt