Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’

234 p. : il., Tablas.Libro ElectrónicoLa creatividad siempre está en movimiento: surge, se establece en el ente colectivo, palidece y desaparece a veces en el olvido; renace, vuelve con innovaciones, se reformula y resurge iniciando de nuevo el ciclo. Los viejos mitos de la creación y los creadores, los trabajos consagrados y los organismos privilegiados de los demiurgos están de nuevo en marcha, produciendo nuevos cambios. Los ensayos recogidos en este libro analizan ese resurgimiento complejo del mito de la creación y proponen una crítica contemporánea de la creatividad.Creativity is astir: reborn, re-conjured, re-branded, resurgent. The old myths of creation and creators – the hallowed labors and privileged agencies of demiurges and prime movers, of Biblical world-makers and self-fashioning artist-geniuses – are back underway, producing effects, circulating appeals. Much as the Catholic Church dresses the old creationism in the new gowns of ‘intelligent design’, the Creative Industries sound the clarion call to the Cultural Entrepreneurs. In the hype of the ‘creative class’ and the high flights of the digital bohemians, the renaissance of ‘the creatives’ is visibly enacted. The essays collected in this book analyze this complex resurgence of creation myths and formulate a contemporary critique of creativity.Contents vii Contributors ix Acknowledgements xv Introduction: On the Strange Case of ‘Creativity’ and its Troubled Resurrection 1 PART ONE: CREATIVITY 7 1 Immanent Effects: Notes on Cre-activity 9 2 The Geopolitics of Pimping 23 3 The Misfortunes of the ‘Artistic Critique’ and of Cultural Employment 41 4 ‘Creativity and Innovation’ in the Nineteenth Century: Harrison C. White and the Impressionist Revolution Reconsidered 57 PART TWO: PRECARIZATION 77 5 Virtuosos of Freedom: On the Implosion of Political Virtuosity and Productive Labour 79 6 Experiences Without Me, or, the Uncanny Grin of Precarity 91 7 Wit and Innovation 101 PART THREE: CREATIVITY INDUSTRIES 107 8 GovernCreativity, or, Creative Industries Austrian Style 109 9 The Los Angelesation of London: Three Short Waves of Young People’s Micro-Economies of Culture and Creativity in the UK 119 10 Unpredictable Outcomes / Unpredictable Outcasts: On Recent Debates over Creativity and the Creative Industries 133 11 Chanting the Creative Mantra: The Accelerating Economization of EU Cultural Policy 147 PART FOUR: CULTURE INDUSTRY 165 12 Culture Industry and the Administration of Terror 167 13 Add Value to Contents: The Valorization of Culture Today 183 14 Creative Industries as Mass Deception 191 Bibliography 20

Diversity, inequality and a post-structural politics for education

This paper considers the contribution to understanding educational inequalities offered by post-structural theories of power and the subject. The paper locates this consideration in the context of the ongoing endeavour in education studies to make sense of, and identify ways of interrupting, abiding educational exclusions and inequalities. The paper examines the potential of Judith Butler's work, in particular her engagement with Foucault?s concepts of productive power and subjectivation, and the articulation of these ideas with the notion of the performative constitution of subjects, for making sense of the processes through which students come to be particular sorts of subjects of schooling. The paper argues that taking up these understandings not only enables us to better understand the endurance of particular configurations of educational inequalities, it also opens up new possibilities for interrupting these through a post-structural politics that seeks to displace prevailing discourses and constitute students differently through every-day practices of preformative reinscription

Towards an archaeology of media ecologies : the case of Italian free radios

This article looks at the contemporary reinvention of the term Media Ecologies in the work of Matthew Fuller, arguing that its provenance is less form Postman's Media Ecology Association andmore form the work of Felix Guattari. It then presents an account of free radios in Italy and France in the 1970s and contemporary pirate radio as exemplary cases of media ecologies in Fuller's sense of the term

Democratization beyond the post-democratic turn: towards a research agenda on new conceptions of citizen participation

Following extensive debates about post-democracy and post-politics, scholarly attention has shifted to conceptualizing the ongoing transformation of democracy. In this endeavour, the change in understandings, expectations and functions of political participation is a key parameter. Improving citizen participation is widely regarded as the hallmark of democratization. Yet, a variety of actors are also increasingly ambivalent about democratic institutions and the further expansion of participation. Meanwhile, new forms of participation are gaining in significance – neoliberal activation, the responsibilization of consumers, digital data mining, managed behaviour guided by choice architects – which some believe much improve representation, but which others perceive as a threat to the citizens’ autonomy. This article introduces a special issue focusing on the participation-democratization nexus in well-established democracies in the economically affluent global North. Based on a critical review of popular narratives of post-democracy and post-politics we sketch the notion of the post-democratic turn – which offers a new perspective on emerging forms of participation and in this special issue serves as a conceptual lens for their analysis. We then revisit more traditional conceptualizations of democratic participation which are challenged by the post-democratic turn. The article concludes with an overview of the individual contributions to this special issue

Confession and political normativity: control of subjectivity and production of the subject

The theme of confession, present in the reflection of Michel Foucault since the early 1960s, pursued the same direction of his researches from the late 1970s concerning the problem of government and the studies of governmentality. Under this perspective, confession is taken as recognition through which the subject authenticates in himself or herself his or her own actions and thoughts. Therefore, it is not only a verbal act by means of which the subject states the truth of his or her being; confession also binds the subject to truth, throwing him or her in a relation of dependency regards the other, and, at the same time, modifying the relationship that he or she establishes with himself or herself. According to Foucault, this is what explains the massive growth of practices of confession in Western societies up until their actual inscription at the heart of procedures of individualization typical of modern political power. This paper explores Foucault’s analysis of confessional practices and its recent developments in the work of Giorgio Agamben (Opus Dei. Archeologia dell’Ufficio, 2012) and Roberto Esposito (Due. La macchina della teologia politica e il posto del pensiero, 2013).El tema de la confesión, presente en la reflexión de Michel Foucault desde principios del decenio de 1960, persiguió la misma dirección de sus investigaciones a partir de finales de 1970 en relación con el problema del gobierno y de los estudios de la gubernamentalidad. Bajo esta perspectiva, la confesión se toma como reconocimiento a través de la cual el sujeto autentica en sí mismo sus propias acciones y pensamientos. Por lo tanto, no es solo un acto verbal por medio del cual el sujeto establece la verdad de su ser; la confesión también une el sujeto a la verdad, colocándolo en una relación de dependencia con el otro y, al mismo tiempo, cambiando la relación que él establece consigo mismo. Según Foucault, esto es lo que explica el crecimiento masivo de las prácticas de la confesión en las sociedades occidentales hasta su inscripción efectiva en el corazón de los procedimientos de individualización del poder político moderno. Este artículo explora el análisis de Foucault de las prácticas confesionales y sus recientes avances en el trabajo de Giorgio Agamben (Opus Dei. Archeologia dell’Ufficio, 2012) y Roberto Esposito (Due. La macchina della teologia politica e il posto del pensiero, 2013)

Subjectivation and performative politics—Butler thinking Althusser and Foucault: intelligibility, agency and the raced-nationed-religioned subjects of education

Judith Butler is perhaps best known for her take-up of the debate between Derrida and Austin over the function of the performative and her subsequent suggestion that the subject be understood as performatively constituted. Another important but less often noted move within Butler‘s consideration of the processes through which the subject is constituted is her thinking between Althusser‘s notion of subjection and Foucault‘s notion of subjectivation. In this paper, I explore Butler‘s understanding of processes of subjectivation; examine the relationship between subjectivation and the performative suggested in and by Butler‘s work, and consider how the performative is implicated in processes of subjectivation – in =who‘ the subject is, or might be, subjectivated as. Finally, I examine the usefulness of understanding the subjectivating effects of discourse for education, in particular for educationalists concerned to make better sense of and interrupt educational inequalities. In doing this I offer a reading of an episode of ethnographic data generated in an Australian high School. I suggest that it is through subjectivating processes of the sort that Butler helps us to understand that some students are rendered subjects inside the educational endeavour, and others are rendered outside this endeavour or, indeed, outside student-hood

Patterns of Power. The EU‘s External Steering Techniques at Work - The Case of Democratization Policies in Morocco

This paper conceptualizes a framework of political steering that includes modern conceptions of power as formulated by Foucault, Habermas, Bourdieu and others and applies it to the empirical analysis of the EU neighborhood policies. Analyzing the promotion of human rights and democracy as part of a comprehensive security strategy in Morocco since 2003, the authors scrutinize the use and the resonance of hierarchic, indirect and soft steering modes in EU external governance in the Southern Mediterranean. The findings suggest that Europe employs a complex strategy that targets governing officials, civil society actors and society at large, each with a respective mix of steering modes. Whereas classic incentives failed to initiate reforms at the government level, they proved effective in empowering Moroccan civil society actors. Soft modes are shown to play a decisive role in shaping the self-image of the administration officials vis-à-vis the EU and the parameters of public discourse on human rights and democracy, thus allowing for non-governmental actors to encroach on the government and demand democratic reforms. The integrated perspective on steering mechanisms in EU neighborhood policies thereby reveals the need to further explore micro-techniques of power in external governance analysis.power analysis; Mediterranean; Europeanization; Europeanization

Digital Subjectivation and Financial Markets: Criticizing Social Studies of Finance with Lazzarato

The recently rising field of Critical Data Studies is still facing fundamental questions. Among these is the enigma of digital subjectivation. Who are the subjects of Big Data? A field where this question is particularly pressing is finance. Since the 1990s traders have been steadily integrated into computerized data assemblages, which calls for an ontology that eliminates the distinction between human sovereign subjects and non-human instrumental objects. The latter subjectivize traders in pre-conscious ways, because human consciousness runs too slow to follow the volatility of the market. In response to this conundrum Social Studies of Finance has drawn on Actor-Network Theory to interpret financial markets as technically constructed networks of human and non-human actors. I argue that in order to develop an explicitly critical data study it might be advantageous to refer to Maurizio Lazzarato’s theory of machinic subjugation instead. Although both accounts describe financial digital subjectivation similarly, Lazzarato has the advantage of coupling his description to a clear critique of and resistance to finance