Designing Tray for Rasa Rasa Stand in D’Dieuland of Kawasan Wisata Punclut Based on Ergonomic Aspect

D’Dieuland is a thematic tourist area located in Pagerwangi Ciumbuleuit Village, Bandung, West Java. D’Dieuland has a large and terraced area, and mostly outdoor. D’Dieuland has various playground and food stands, one of that stands is Rasa Rasa which sells various Sundanese cuisine. Every day there is a process of food distribution from the stand to the dining area by bringing a sufficient number of plates for one serving. Based on observations, it is difficult for the waiter to distribute different types of food (wet and dry) together, and also consider food safety and stability when used. The method used in this ergonomic aspect research is Nordic Body Map questionnaire. The goal is to provide a new design in tray that can be used to serve various food in large terrace area, and comfortable to use. Keywords Rasa Rasa, Food Distribution, Tray, Ergonomic Aspec

RASA DALAM NATYA UASTRA

Rasa is the essence of Indian easthetics. Rasa is the core of every Indian art. Hence all Indian arts in some extente have been inspired by rasa theory in its various forms and expressions. For the first time rasa theory was expounded by Bharata in his monumental work, Natya Sastra. Natya Sastra has been regarded as an enseclopedia work on Indian art. Rasa means at one time means ‘water’, ‘juice’ or ‘wine’. At another times it impied ‘essence’. In another context it means ‘relish’ or ‘savouring’ it also means ‘aesthetic pleasure’ or ‘enjoyment’ a meaning or association of meanings with which we are essentially dealt with. Rasa was made of bhava. Rasa and bhava always come together without the other no rasa occurs. Bharata in his Natya Sastra (VI.31) says: “rasa comes from a combination of vibhavas, anubhavas, and vyabhicaribhavas”. Giving a illustration, Bharata, in the same passage, says:”Just as (flavour) comes from a combination of many spices, herbs and other substances, so rasa...from many bhavas”

Ernesto Rasa and The Earthquake

A short story about a member of an evangelical church in Adelaide in the 1970s at the time that an earthquake and tidal wave were prophesied

Designing Trays for Rasa-Rasa Stand in D’dieuland Area of Kawasan Wisata Punclut Based on Material Aspect

Delivering food is an activity that is often found in restaurants or recreation areas in which sell food. In this activity, it needs attention because they have to walk with the heart so as not to spill and have to walk quickly when visitors are crowded. The case study discusses the Rasa-Rasa Stand located at D\u27dieuland, where D\u27dieuland uses the environment so it has a steep road because it is on a slope in Ciumbeleuit. The purpose of this study is to improve the quality of food in terms of safety, comfort, and food when delivering food. This study uses qualitative methods that are supported by observational data, documentation, interviews, and analysis. The food utensils presented will be designed in terms of ingredients while this material can be used outdoors and in places with heavy media to be able to support the activities of the waiter when delivering food comfortably. Keywords : Tray, Spill Out, Rasa-Rasa Stan

BÉLETER FOR TRANSFERRING LANGUAGE AND CULTURAL MORAL VALUES TO YOUNG MALAY AT PONTIANAK, KALIMANTAN BARAT.

Bahasa adalah alat komunikasi yang menyampaikan setiap perasaan penuturnya. Ia bisa menyampaikan perasaan sayang, cinta, suka, benci, kecewa, bahkan marah. Sebagai penutur multibahasa, orang Indonesia cenderung memilih untuk menyampaikan rasa marahnya dalam bahasa ibu atau bahasa pertama mereka. Hal ini bisa jadi disebabkan bahwa marah adalah rasa pribadi yang umumnya ditampakkan pada lingkungan pribadi. Pada lingkungan ini, marah adalah rasa yang kompleks karena tak melulu memperlihatkan ketidaksukaan dan ketidaksetujuaan, melainkan juga kepedulian serta rasa sayang, termasuk rasa sayang ibu kepada anggota keluarganya. Marah bisa berbentuk tindakan apa saja, ada diam tanpa kata, atau sebaliknya merepet dengan seribu kata. Merepet ini bisa dalam bentuk beleter. Beleter merupakan cara marah yang lazim pada masyarakat Melayu Kalimantan Barat dan umumnya dilakukan oleh para ibu. Beleter bisa dimulai dengan banyak berbicara secara terus menerus sampai mengomel untuk menyampaikan rasa ketidaksukaan dan kekesalan terhadap sesuatu. Ibu beleter biasanya disebabkan oleh kekecewaannya terhadap anggota keluarga, khususnya anak. Anak yang kurang disiplin, kurang sigap, kurang peduli atau kurang kemauan untuk terus maju dan berkembang bisa menjadi bahan leteran. Bahan leteran yang disebabkan ketidaksamaan persepsi antara ibu dan anak menjadi media sebagai upaya dalam penyamaan dan pembentukan nilai moral. Nilai moral warisan orangtua ibu diteruskan kepada anak yang akan meneruskan kebiasaan suku dan mewariskan kembali nilai yang sama pada anaknya kelak. Pengalihan nilai budaya ini sejatinya juga dilakukan dengan bahasa yang sama sebagai wujud pemertahanan bahasa asli ditengah kegerusan bahasa ibu yang mestinya lebih dikuasai oleh anak dibandingkan bahasa gaul yang hanya bersifat sementara