Plot-based urbanism : towards time-consciousness in place-making

Some of us have recently argued that what we still miss is the serious consideration of the factor of time in urbanism, or, in other words, a deeper "time conscious" approach (Thwaites, Porta, Romice, & Greaves, 2008). Inevitably, that means focusing on change as the essential dynamic of evolution in the built environment, which in turn leads to re-addressing concepts like control, self-organization and community participation. After time and change have been finally firmly placed at the centre stage, the whole discipline of urban planning and design, its conceptual equipment as well as its operational toolbox, reveals its weaknesses under a new light and calls for the construction of a different scenario. This paper poses the problem of this scenario in disciplinary terms, it argues about its premises and outlines its essential features. The scope of this paper is not to deliver a comprehensive model for a new approach to urban planning and design, but to set the right framework and rise the right questions so that we can start thinking of issues such as urban regeneration, informal settlements and massive urbanization, community participation and representation, beauty and humanity in space, in a different way

Environmental education: creative place-making in Papua New Guinea

This paper addresses how experience of environment may be an important stimulant in the creative process through which appropriate architectural place may be made. We will argue that with a better understanding of their own reactions in and to environments architectural students may be more sensitive to the effects of their architectural gestures on others. Accepting that such depth experiences are mirrored in archetypal forms and patterns in indigenous architectures, we will use as a case study the education of architects and the creation of architecture in Papua New Guinea [PNG]. We argue that an appropriate architecture, responsive to the locale of PNG, offers the antithesis of the often inappropriate internationalised architecture

Place-making strategies of culturepreneurs. The case of Frankfurt/M., Germany

The paper describes the emergence of a new hybrid cultural and entrepreneurial agent in the context of the local cultural industries of Frankfurt on Main (Germany). The thesis of the paper is, that the culturepreneur is responsible for new place-making strategies apart the most visible and dominant one, such as the skyline in Frankfurt/M. The understandings of his place-making strategies offer insights in new forms of negotiation of an urban renewal process. Despite this it provides a new and important evaluation of the yet underestimated spatial category place in the process and formation of scenes, recently brought into discussion by sociologist R. Hitzler (2001). Places are the terrain of the post-industrial city where different and heterogeneous scenes are struggling. The analysis of the use and significance - out of the perspective of culturepreneurs - provides a new, yet in the field of social sciences unclear, reading of the existing urban condition. The context of the emergence of the type culturepreneur is framed by neoliberal governmental and political approaches, urban marketing campaigns such as the self-promotion as being a young and a cool city like Frankfurt/M. (or Berlin) are practicing it, in order to encourage individuals to launch ones own enterprise: The first results can best be seen in the field of the growing numbers of workers in the socalled creative (service-industry-related) sector. Besides that, the growing numbers of creatives, such as web-, fashion-, music and arts and crafts designers as well as club organizers are - viewed from an institutional perspective - an expression of complex changes of the role of the arts and media sector as growing mediator between the subsectors of culture and economy. Based on comparable results of A. McRobbie´s studies (1999) in the creative sector of London (GB), this research shows that the agents of creative work are - especially since 1998 - on the one hand considered to be a symbolic forerunner and a pioneer of the politics of the new middle in Germany ('Politik der Neuen Mitte'). Thereby on a micro level we can observe agents, who reflect increasing values such as individual entrepreneuralism, bringing to light un-embedded as well as flexible labour situations. Besides their escalating sharp existential situation, they show a rising dependency of subsidies of different sponsors. Thereby creative work is squeezed and brokered by growing influences of venture capitalists using trendy popular culture products of the culturepreneurs as signs and symbols of their holistic idea serving the society. On the other hand, the growing numbers of relatively young and creative workers struggle to regain social and institutional embedding by setting up and creating new temporary and flexible alliances with different agents in the urban context, such as city governments as well as corporate firms. In sociological terms we cannot consider these actors as members of a completely individualized society anymore (Beck 2000), but as members of post-traditional communities or, like Hitzler proposed, new scenes (Hitzler 2001) amongst the culturepreneur plays a key and ma-jor formatting role, which is yet from the scientific perspective so far undefined. The paper argues that the analysis of the local cultural industry as a key factor in the creation of new labour forces in the metropolitan regions such as the Rhine-Main as well as stimulating atmospheres for service-related industries has to be connected to micro-spatial analysis of the emergence of new scenes. Sociological analysis provides valuable insights in the formation of new communities, but micro-geographical analysis can conceptually and methodologically provide a spatial understanding of complex place-making strategies of new post-traditional communities. Space is a yet an underestimated variable in the analysis of the emergence of new agents - such as the culturepreneurs - in the field of the local cultural industries. The conducted field research shows not only the fact that - from the perspective of individual agents (culturepreneurs) - place matters, but that the processes of professional socialisation is closely linked to a complex creative and necessarily practice with place in order to create a spatial network, that means a new socially-defined space. This process can first be seen as a necessary attempt in order to regain a professional place in the labour market, but second as a practice to get economic, social, and network-related attention by acting, staging and using (with) the variable place. Culturepreneurs develop - with new forms in the field of the economy of attention - these new geographies that can be read as a post-modern counterstrategy to the dominant place-making strategies, applied most visible with the geography of centrality in the case of Mainhatten (sic!), Frankfurt on Main.

Is today's architecture about real space, virtual space or what?

Nowadays digital technologies and information and telecommunication technologies are widely used in every aspect of our lives. This article focuses on the digital technologies and their effect on the place-making activities. First an overview of the digital technologies for the creation, occupancy and management of a building is given. Secondly, the concepts of space and virtual space are discussed. Through these discussions, the concept of places and its virtual alternatives and recombination the use of space are described. Finally some concluding remarks are made on whether today’s place making activities about real space or it extends beyond that

Cultural activism and the politics of place-making

In this paper, we explore the relationship between creative practice, activism, and urban place-making by considering the role they play in the construction of meaning in urban spaces. Through an analysis of two activist groups based in Stokes Croft, Bristol (UK), we argue that cultural activism provides new political prospects within the wider context of global capitalism through the cultivation of a shared aesthetics of protest. By cultivating aspects of shared history and a mutual enthusiasm for creative practice as a form of resistance, Stokes Croft has emerged as a ‘space of nurturance’ for creative sensibilities. However, we note how Stokes Croft as an autonomous space remains open-ended and multiple for activists interested in promoting different visions of social justice

(Dis)connected communities and sustainable place-making

Why, despite a recent surge in the UK in “sustainable communities” policy discourse, do so many community-led sustainability initiatives remain fragmented, marginal and disconnected from local government strategies? How can community- and government-led sustainability initiatives be better integrated such that they add significantly to a denser matrix and cluster of sustainable places? These questions, we argue, lie at the heart of current sustainable place-making debates. With particular reference to two spatial scales of analysis and action, the small town of Stroud, England and the city of Cardiff, Wales, we explore the twin processes of disconnection and connection between community sustainability activists and local state actors. We conclude that whilst there will always remain a need for community groups to protect the freedom which comes from acting independently, for community activists and policy-makers alike, there are nevertheless a series of mutual benefits to be had from co-production. However, in setting out these benefits we also emphasise the dual need for local government to play a much more nuanced, integrative and facilitatory role, in addition to, but separate from, its more traditional regulatory role

The suburban question: grassroots politics and place making in Spanish suburbs

Manuel Castells spoke of the urban as a unit of collective consumption, yet much of the politics of collective consumption he documented was evident in the suburbs. The tendency for suburbs of most complexions to lack services and amenities has been and continues to be a focus of politics in Europe. In Spain, as elsewhere in Europe, a grassroots politics surrounding the making good of these deficits in basic services and amenities has broadened and formalised somewhat to become part of a competitive local representative politics concerned with shaping a sense of place. Here we consider this legacy of grassroots politics as it has played out more recently in a politics of place making in Getafe and Badalona in metropolitan Madrid and Barcelona, respectively. In conclusion, we suggest that this enduring suburban question—of making the suburban urban—places them at the centre of contemporary metropolitan governance and politics. However, it also raises further issues for study—notably, the scalar politics in which suburban place making is empowered or constrained, the role of political parties and individual politicians on the place-making process, and the point at which grassroots politics of collective consumption becomes urban entrepreneurialism