The Sounds of Vatican II: Musical Change and Experimentation in Two U.S. Trappist Monasteries, 1965−1984

The Second Vatican Council impacted the use of liturgical music within religious communities. Two U.S. Trappist monasteries, New Melleray Abbey in Dubuque, Iowa, and Gethsemani Abbey in Bardstown, Kentucky, evidenced distinctive approaches to the musical freedom resulting from the Vatican II reforms. New Melleray incorporated contemporary folk music and instruments. At Gethsemani, Father Chrysogonus Waddell pioneered the use of Gregorian notation and English psalmody. The musical changes had a profound effect on the Trappists’ celebration of the Mass and the praying of the Liturgy of the Hours

Sman shad Dance Song 3

Dance songs participants sing as they dance in a circle. They do not have any musical instruments to accompany their dancing. The songs are high pitched and tuneful, with irregular rhythmsThis collection presents forty-nine audio files including: several folk song genres; folktales and; local history from the Sman shad Valley of Sde dge countyWorld Oral Literature Projec

Zur Semiotik Einiger Musikinstrumente (Vorläufige Problemstellung)

In spite of the promising recent development of comparative musicology (also including the study of musical instruments) and of semiotics (also including musical semiotics), there is no summarizing attempt to describe and analyze the “signs on musical instruments” phenomena, i.e. carved or painted parts of the instruments. The zoomorphic and anthropomorphic construction and forms of musical instruments, and of their parts, is a wide-ranging field of study. The paper shows some examples of ancient and folk music instruments, by using the common (Peircian) terminology in describing their signs in the proper sense of the word. Animal shells used as bodies of instruments, snake- and dragon-formed instruments, amorous heads on string instruments, human heads and devilish forms of bagpipes, paintings on piano’s wooden cases, emblems or coats of arms of the builders of the instruments — just there are some cases of signs of musical instruments. There are further allusions to musical signs as well

Рабочая программа учебной дисциплины "История исполнительского искусства на народных инструментах"

Зміст курсу висвітлює історичні аспекти розвитку виконавського мистецтва на народних інструментах від найдавніших часів до сучасності, процес академізації народно-інструментального мистецтва України, умови виникнення та конструктивні особливості сучасних народних інструментів, становлення та розвиток оригінального репертуару, його жанрово-стильові риси.The course contents highlights the historical aspects of the development of musical performing arts on folk instruments from ancient times to present, the process of academicization of folk instrumental art of Ukraine, the conditions of origin and constructive features of contemporary folk instruments, the formation and development of the original repertoire, its genre and style features

"Method of teaching the game on a special instrument (folk instruments) "

Дисципліна «Методика викладання гри на спеціальному інструменті (народні інструменти)» входить до курсу обов’язкових дисциплін спеціальності «Музичне мистецтво».Дисциплина «Методика впреподавания игры на специальном инструменте (народные инструменты) »входит в курс обязательных дисциплин специальности «Музыкальное искусство».Discipline "Method of teaching the game on a special instrument (folk instruments) "is included in the course of compulsory disciplines of the specialty "Musical art"

Fiddling with pasts : from tradition to heritage

Preprin

Suggested music activities for grades one and two.

Thesis (Ed.M.)--Boston Universit

From Swedish folk music to world music : Johan Hedin’s transition from keyed fiddle player to modern composer

Publisher PD