Borderless Boundaries – as Means of Death and Life: Wilderness Portraits in Patristic and Rabbinic Literature

This study examines the role played by environmental representation of an apparent borderless boundary, the desert, as presented in Scripture – the Hebrew Bible / First Testament. It considers lessons derived from “desert-thought” testified within Rabbinic and Patristic literature. In Scripture, the desert played a prominent role in both Exodus and Akedah, two narratives central to Jewish thought and Christian theology. Beyond this, desert fathers such as Antony of Egypt expressed profound spirituality through this desolate land (Chrysostom; Athanasius, Vita). The Rabbis repeatedly embellished, for virtue’s sake, lessons gained from this same bleak landscape (Midrash Bemidbar Rabbah). An early version of this article was presented at the Canadian Society for Patristic Studies annual conference, a part of the Canadian Congress for Social Sciences and Humanities (May 26, 2014) at Brock University, St. Catharines, Ontario

Kematian yang Nir Batas

This project is a result of a variety of work done in the previous, the main themes for the variety of work were varied. They were about body illusion instution with its multi and complicated problem, and other problems, and other problems reated to gender aspect, political aspect, social aspect, tradition, religion, and many other. The purpose of the project was to recognize the true meaning of the borderless life after death. In order to recognized its true meaning, the traditional rituals and religion body management were used as the bases to analyze the idea of borderless life after death was perceived as a social-cultural phenomenon and as a tradition.In this project, death is defined as the borderline between theIn this project, a painting –as the artwork – was chossen to express the idea of borderless life after death visually. The basic idea of borderless life after death itself was analize using relevant methodology, theories, and empirical studies. In contrast, the concept of the artwork expressing the ideas such as borderless life after death, the life of soul in the erternal realm, the travel of soul to its original realm, an death as the borderline between the zone of worldly life and the borderless borderless life after death. The use of idioms in painting such as foggy white colour, smoky white colour, and some objects are for the aesthetic purpose where as the dances in the painting symbolize the aesthetical purpose where as the dances in the painting symbolize the aesthetical values, not sadness, Altogether, these elements construct the idea of borderless life after death.In conclusion, death should not be preceive as a frightening phenomenon but as a sacred, religious, and aesthetic celebration.worldly life zone and the zone of the borderless life after death. From this pont of view tradition, death is regarded as an event to celebrete the return of the soul to the eternal realm. It can be verivied by the fact that  there are many artistic symbols representing death , thus making it as new realty

Introduction

Publication within the project “The V4 towards migration challenges in Europe. An analysis and recommendations” is financed by Visegrad Fund

What are Some Best HR Practices in Response to Natural Disasters in Terms of Training and Communication?

Today’s world is defined by, among other characteristics, borderless and unconventional threats, global challenges, and fast-paced change. HR has not been initially designed to organize or oversee crisis management. However HR’s role in training and development can contribute to an organization’s overall crisis management capacity, as well as to effective crisis communication in particular. Studies show that crisis-prepared companies have fewer crises to grapple with, stay in business longer and fare better in financial terms