Concerto Competition Finals, March 6, 2012

This is the concert program of the Concerto Competition Finals performance on Tuesday, March 6, 2012 at 6:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Concerto no. 3 in d minor, op. 30 by Sergei Rachmaninoff, Concert Piece for Four Horns and Orchestra by Robert Schumann, Four Last Songs by Richard Strauss, Violin Concert, op. 14 by Samuel Barber, Concerto in A major, K. 622 by Wolfgang Amadeus Mozart, Incantation, Threne, et Danse by Alfred Desenclos, Concerto no. 1 in b-flat minor, op. 23 by Peter Tchaikovsky, Knoxville: Summer of 1915 by Samuel Barber, Concerto in D major, op. 19 by Sergei Prokofiev, Concerto no. 3 in c minor, op. 31 by Ludwig van Beethoven, and Concerto in a minor, op. 22 by Samuel Barber. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Ein Liederabend Recital Series, February 2, 1994

This is the concert program of the Ein Liederabend Recital Series performance on Wednesday, February 2, 1994 at 6:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performe were The Silver Swan by Ned Rorem, In a Gondola by N. Rorem, Softly the Summer by Richard Hundley, "In der Fremde," "Intermezzo," "Mondnacht," and "Frühlingsnacht" from "Liederkreis," Op. 39 by Robert Schumann, Ich wolt ein Sträuslein binden, Op. 68 No. 2 by Richard Strauss, Schectes Wetter, Op. 69 No. 5 by R. Strauss, Glückes Genug, Op. 37 No. 1 by R. Strauss, The Daisies, Op. 2 No. 1 by Samuel Barber, Sure On This Shining Night, Op. 13 No. 3 by S. Barber, "St. Ita's Vision," from "Hermit Songs," Op. 29 by S. Barber, "Clare Selve," from "Atlanta" by George Frideric Handel, "Endless Pleasure," from "Semele" from G. F. Handel, Si mes vers avaient des ailes by Reynaldo Hahn, "Let the Florid Music Praise," "Now the Leaves are Falling Fast," and "Nocturne" from "On This Island," op. 11 by Benjamin Britten, Oh! quand je dors by Franz Liszt, Comment, disaient-ils by F. Liszt, Enfant, si j'étais roi by F. Liszt, A Fine Line by Seymour Barab, With rue my heart is laden, Op. 2 No. 2 by S. Barber, Over the Land is April, Op. 6 No. 2 by Roger Quilter, Après un rêve by Gabriel Fauré, Die Männer sin mechant! by Franz Schubert, and O del mio amato ben by Stefano Donaudy. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Art, Science, Cartography, and the Eye of the Beholder

Magnifcent Maps: Power, Propaganda and Art. By Peter Barber and TomHarper (London, British Library, 2010) 176 pp

The Barber of Seville (1968)

Playwright: Rossini Director: Kenneth Dorst/Edwin Dunning Set Design: Philip J. Flad Costumes: Berneice Prisk Academic Year: 1967-1968https://scholarworks.sjsu.edu/productions_1960s/1013/thumbnail.jp

Boston University Concert Choir: "An Evening of American Song," March 1, 1992

This is the concert program of the Boston University Concert Choir performance on Sunday, March 1, 1992 at 7:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Memories: A) Very Pleasant; B) Rather Sad by Charles Ives, Green Finch and Linnet Bird by Stephen Sondheim, Lullaby by Giancarlo Menotti, The Daisies by Samuel Barber, Rain Has Fallen by S. Barber, The Bird by Jon Duke, "Candide's Lament" from "Candide" by Leonard Bernstein, Sweet Suffolk Owl by Richard Hundley, "Laurie's Song" from "The Tender Land" by Aaron Copland, "Plum Pudding" from "Four Recipes" by L. Bernstein, Sam Was a Man by Vincent Persichetti, Sure on This Shining Night by S. Barber, Glory to God n the Highest by Randall Thompson, The Lobster Quadrille, The Lullaby of the Duchess, and Father William fron "Alice in Wonderland" by Irving Fine, The Road Note Taken and Choose Something Like a Star from "Frostiana" by R. Thompson, and Circus BAnd by C. Ives. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Bayesian hierarchical models for analysing the spatial distribution of bioclimatic indices

A methodological approach for modelling the spatial distribution of bioclimatic indices is proposed in this paper. The value of the bioclimatic index is modelled with a hierarchical Bayesian model that incorporates both structured and unstructured random effects. Selection of prior distributions is also discussed in order to better incorporate any possible prior knowledge about the parameters that could refer to the particular characteristics of bioclimatic indices. MCMC methods and distributed programming are used to obtain an approximation of the posterior distribution of the parameters and also the posterior predictive distribution of the indices. One main outcome of the proposal is the spatial bioclimatic probability distribution of each bioclimatic index, which allows researchers to obtain the probability of each location belonging to different bioclimates. The methodology is evaluated on two indices in the Island of Cyprus.Peer Reviewe

Nicole Copeland, mezzo-soprano and Anna Carr, piano, April 25, 2015

This is the concert program of the Nicole Copeland, mezzo-soprano and Anna Carr, piano performance on Saturday, April 25, 2015 at 4:00 p.m., at the Opera Space, 808 Commonwealth Avenue. Works performed were Der Arme Peter by Robert Schumann, Sure on This Shining Night by Samuel Barber, Monk and his Cat by S. Barber, Slumber of the Madonna by S. Barber, L'Énamourée by Reynaldo Hahn, Le Rossignol des lilas by R. Hahn, Quand je fus pris au pavillon by R. Hahn, and Se Romeo t'uccise un figlio by Vincenzo Bellini. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

POLA KOMUNIKASI PEMANGKAS RAMBUT BARBER SHOP SAWARGI KEPADA PELANGGAN

Penelitian ini dilatarbelakangi oleh komunikasi yang menjadi budaya pada sebuah bisnis pangkas rambut yakni Barber Shop Sawargi. Tempat pangkas rambut yang seharusnya bertujuan hanya memangkas rambut pelanggan sedikit berbeda di Barber Shop Sawargi. Tujuan penelitian ini yaitu: 1) untuk mengetahui jenis komunikasi verbal pemangkas rambut Barber Shop Sawargi kepada pelanggan, 2) untuk mengetahui fungsi komunikasi verbal pemangkas rambut Barber Shop Sawargi kepada pelanggan, 3) untuk mengetahui jenis komunikasi nonverbal pemangkas rambut Barber Shop Sawargi kepada pelanggan, serta 4) untuk mengetahui fungsi komunikasi nonverbal pemangkas rambut Barber Shop Sawargi kepada pelanggan. Pendekatan yang digunakan adalah kualitatif dengan metode deskriptif-kualitatif. Subjek utama adalah seluruh pemangkas rambut Barber Shop Sawargi serta informan tambahan adalah pemilik Barber Shop Sawargi dan pelanggan Barber Shop Sawargi. Hasil dari penelitian diketahui bahwa masing-masing pemangkas rambut Barber Shop Sawargi membuat pola komunikasi yang memberikan kesan suportif kepada pelanggan, dimana pemangkas rambut Barber Shop Sawargi memiliki kemampuan komunikasi verbal yang baik dengan minimnya kesalahan komunikasi yang dibuat. Pemangkas rambut Barber Shop Sawargi menggunakan bahasa Indonesia dan Sunda serta menggunakan kata formal untuk berkomunikasi dengan pelanggan. Untuk komunikasi nonverbal Pemangkas rambut Barber Shop Sawargi menggunakan pakaian rapi dan wewangian, menggunakan intonasi suara rendah, mengambil jarak dekat, serta berjabat tangan untuk menghormati pelanggan. Pemangkas rambut Barber Shop Sawargi jarang menggunakan fungsi komunikasi nonverbal, tindakan tersebut dilakukan hanya sebatas reflek.;---The research is motivated by communication which becomes a culture in a barbershop, particularly in Barber Shop Sawargi. Barbershop which should be aimed only at styling customer’s hair has a little different function in Barber Shop Sawargi. The purpose of this study are: 1) to determine the type of verbal communication performed by barbers to its customers, 2) to determine the function of verbal communication of barber in Barber Shop Sawargi to its customers, 3) to determine the type of nonverbal communication barber in Barber Shop Sawargi to customers, as well as 4) to determine the function of nonverbal communication performed by Barber Shop Sawargi’s barber to its customers. The approach is used qualitative and descriptive-qualitative method. The main subject is all barbers in Barber Shop Sawargi as well as additional informant, who are the owner and customer of Barber Shop Sawargi. The study shows that every barber in Barber Shop Sawargi creates communication pattern that gives supportive impression to the customer, while Barbers in Barber Shop Sawargi have good verbal communication skills, which are indicated by the minimum level of performed communication errors. Barbers in Barber Shop Sawargi use Bahasa and Sundanese, and tend to use formal words to communicate with customers. Barbers in Barber Shop Sawargi dressed neatly and using fragrances, using a low tone voice, take a close range, as well as shaking hands to show their respect to the customers. Barbers in Barber Shop Sawargi rarely use the form nonverbal communication function, the act which is performed can be consider as merely reflexes

Muir String Quartet, March 20, 2015

This is the concert program of the Muir String Quartet performance on Monday, March 30, 2015 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were 9. My dearest one..., 1. I know that in my love there is yet hope., 3. When your sweet glances on me fall., and 8. On the shore of the brook... from Cypreses, Love songs by Antonín Dvořák, "Dover Beach" for Medium Voice and String Quartet, Op. 3 by Samuel Barber, String Quartet by S. Barber, and String Quartet No. 1, (From My Life) by Bedřich Smetana. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund