‘The Netherlands, the whole of Europe will soon unite’:National and European identites in the Waterloo literature of the Low Countries, 1815-1915

The Battle of Waterloo rocked Europe to its foundations and it was by far the largest battle ever fought in the Low Countries. In two of the victorious nations, Great Britain and what we now call Germany, the literary commemoration of Waterloo immediately developed a homogeneous heroic perspective, built around the central figures of the Duke of Wellington (in Britain) and Marshal Blücher (in Prussia). These two figures became national heroes who were used to construct and preserve the national identities Britain and Germany. Nevertheless, Waterloo literature of the Netherlands could not unambiguously represent a sense of national consciousness. Indeed, the fragmented history of the Low Countries and their importance for the political stability of Western Europe presented an ideal environment in which European selfimages could be expressed. Therefore, this article investigates the relationship between national and European identities in the Waterloo literature of the Low Countries until the First World War

‘Vrouwen baren het rijm’:Prudens van Duyse (1804-1859) als bemiddelaar van vrouwelijke auteurs

The Flemish poet, Prudens van Duyse (1804-1859), was a leading literary figure in the first half of the nineteenth century. In addition to his work as a writer, he also acted as a cultural mediator and it is striking that, in his work, he paid exceptional attention to female authors. This article examines, on the one hand, the relationship between Van Duyse's formulated beliefs and norms about female authors; and on the other, his motives and intentions for bringing these authors so prominently into the spotlight. In addition, it reveals how he incorporated female authors into his romantic poetics and employed them in his cultural-nationalist program

Drempels:Een ruimtelijke analyse van Roxy (2014) van Esther Gerritsen

In Esther Gerritsen’s oeuvre, the characters are strongly interwoven with space. This article is about her novel Roxy (2014) and examines how spatial descriptions function in the novel and to what extent they can contribute to its interpretation. The study analyzes binary oppositions, setting, and the use of the threshold motif