11 research outputs found
Film and Video from the Heart of the Heart of the Regions : A Country? = Le film et la vidéo du coeur du coeur des régions : Un pays?
Hume comments on regionalism and the positive significance of distance, and Sujir explains the objective of assembling works that may have been considered "too different" to show together." Includes annotated documentation on the 72 films and videos presented and biographical notes on their makers
Leila Sujir : Archival Moments in an Ongoing Set of Power Relations / Ramona Rambochand : Crawling out of Limbo
Includes statements by both installation artists
Digital Identity : Transforming Communities / Reinventing Ourselves
Publication produced for a virtual exhibition of works using digital media (CD-ROMs, Websites, videos, installations) produced mainly by Vancouver-based artists. Kidd explains that digital technology and digital art aid in rethinking personal identity and community, while Davison gives an overview of the exhibition, briefly describing each work. Includes visual documentation of each piece, with artists’ statements. List of related Websites. Biographical notes
Images 90 : Festival du film et de la vidéo indépendants = Images 90 : Festival of Independent Film and Video
The programme of the third edition of the festival presents the selection of movies and videotapes on the themes of the heart, desire, truth, and Native peoples. Sara Diamond's video work and the Newfoundland production in film are examined. Biographical notes on the ten programmers
Textura : L'artiste Ă©crivant = Textura : The Artist Writing
A publication produced in the context of La Centrale’s 25th anniversary. It contains curatorial texts (by L. Simms, F. Dagenais and G. Bourgeois), exhibition reviews (by G. Letarte, V. Lamontagne and J. Mills) and theoretical essays by M. Régimbald-Zeiber and L. Sujir. In their introductory text, S. Gourlay and S. de Lotbinière-Harwood suggest the essays in “Textura” draw attention to the role of writing, visual art and curatorial practice within feminist art discourse. Issues of representation, power, gender and language are also discussed, as well as the singularities of feminist art from Quebec. Includes chronology of La Centrale’s activities from 1990-99. Brief history and mandate of the artist-run centre. Biographical notes on authors. Introduction in French and English. All other texts in their original language (French or English). Circa 32 bibl. ref