Symmetrical Womanhood: Poetry in the Woman\u27s Building Library

Late-nineteenth-century women poets shed midcentury sentimentality unevenly and at some cost, losing a sense of privacy, a (Christian) frame of reference, and an imagined community of women who shared their worldview. They also gained more public, secular, and professional sources of identity. The exact nature of this postsentimental self was unclear. Postsentimental poets often wrote in the genteel tradition, which trumpeted eternal truth and beauty while working from a position of subjective instability. Ultimately, their verses must be seen as powerfully fluid and transitional, registering (like the Woman\u27s Building Library) women\u27s struggle to inhabit more public forms of authority