Time's Arrow, December 11, 1997

This is the concert program of the Time's Arrow performance on Thursday, December 11, 1997 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Brandenburg Concerto No. 4, BWV 1049 by Johann Sebastian Bach, Concerto in E-flat for Chamber Orchestra "Dumbarton Oaks" by Igor Stravinsky, KammerKonzert by György Ligeti, and Brandenburg Concerto No. 3, BWV 1048 by J. S. Bach. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Faculty concert: The Brahms Centenary Series, February 15, 1997

This is the concert program of the Faculty Concert: The Brahms Centenary Series, An Evening of Song, Sonata and Fantasy by Brahms and Schubert performance on Saturday, February 15, 1997 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Wie Melodien zieht es mir (Groth), Op. 105 No. 1, Regenlied (Groth), Op. 59 No. 3, Nachklang (Groth), Op. 59 No.4 by Johannes Brahms and Rondo in A majorm Op. 107, D. 951, Sei mir Gegrusst! (Ruckert), Op. 20, No. 1 D. 741, and Fantasy in C major for Violin and Piano, Op. 159, D. 934 by Franz Schubert. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Cosi fan tutte, February 14, 2002

This is the concert program of the Boston University Opera Institute and Boston University Chamber Orchestra performance of Cosi fan tutte by Wolfgang Amadeus Mozart with libretto by Lorenzo da Ponte, running Thursday, February 14 to Saturday, February 16 at 7:30 p.m. and Sunday February 17 at 3:00 p.m. at the Boston University Theatre, 264 Huntington Avenue. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphonic Chorus and Chamber Orchestra, Sunday, January 31, 1999

This is the concert program of the Boston University Symphonic Chorus and Chamber Orchestra performance on Sunday, January 31, 1999 at 3:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sinfonia Concertante in E-flat major, K. 364/320d and Requiem, K. 626 by Wolfgang Amadeus Mozart. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Baroque Chamber Music Concert

This is the concert program of the Baroque Chamber Music Concert performance on Wednesday, October 20, 1999 at 8:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Trio Sonata for Flute, Oboe, and Basso Continuo by Georg Philipp Telemann, Duetto for Two Violins in D-Major by Simon Le Duc, Trio Sonata for Violin, Bassoon and Basso Continuo in D-major, Op. 2, No. 2 by Jean-Marie LeClair, Trio Sonata for Violin, Bassoon and Basso COntinuo by Dario Castello, Second Concert for Violin and Basso Continuo by Francois Couperin, and Trio Sonata for Flute, Violin and Basso Continuo from "The Musical Offering," BWC 1059 by Johann Sebastian Bach. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Faculty Concert: Bayla Keyes, violin, Robert Merfeld, piano

This is the concert program of the Faculty Concert: Bayla Keyes, violin, Robert Merfeld, piano performance on Monday, February 25, 2002 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Andante in A Major, Rhapsody No. 2, Sonata No. 2, Rhapsody No. 1, and Sonata No.1 all by Bela Bartok. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

2008 Soloists' Competition Winners Concert, April 29, 2008

This is the concert program of the 2008 Soloists' Competition Winners Concert on Tuesday, April 29, 2008 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Concerto for Bassoon and Orchestra in B-flat, K. 191 by Wolfgang Amadeus Mozart, Violin Concerto by Alban Berg, Symphony No. 1: "Tombs of Sandici" by Brian Buch, Harp Concerto, Op. 25 by Alberto Ginestera, and Overture to "Candide" by Leonard Bernstein. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Muir String Quartet, April 20, 2010

This is the concert program of the Muir String Quartet performance on Tuesday, April 20, 2010 at 7:00 p.m., at the Metcalf Trustee Center, 1 Silber Way, Boston, Massachusetts. Works performed were Quartet in C Minor, op. 18, No. 4, Quartet in F Major, op. 135, and Quartet in E Minor, op. 59, No. 2 by Ludwig van Beethoven. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Faculty recital series: Bayla Keyes, violin, J. Patrick Rafferty, Guest Faculty, vioin, Robert Merfeld, piano, November 17, 2007

This is the concert program of the Faculty recital series: Bayla Keyes, violin, J. Patrick Rafferty, Guest Faculty, vioin, Robert Merfeld, piano performance on Saturday, November 17, 2007 at 4:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonate No. 1 "Posthume" for violin and piano by Maurice Ravel, Sonata for Two Violins, Op. 3 No. 5, in E minor by Jean-Marie LeClair, Inscriptions for Solo Violin by Shulamit Ran, and Sonata for Two Violins, Op. 56 by Sergei Prokofiev. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Muir String Quartet, February 16, 2011

This is the concert program of the Muir String Quartet performance on Wednesday, February 16, 2011 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Quartet No. 1 in C Major, op. 74 by Franz Joseph Haydn, Quartet No. 2, "Intimate Letters" by Leoš Janáček, and Quartet in E-flat Major, op. 51 by Antonín Dvořák. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund