4 research outputs found
Students as scholars: academic development and the scholarship of teaching and learning
As academic developers we are holding a multiplier role when it comes to enhancing learning and teaching, and in encouraging our colleagues to develop their own scholarship of teaching and learning (SoTL). We will show how we build a bridge between our students as teaching-focused academics and SoTL, in a course within the Postgraduate Certificate in Academic Practice (PGCAP, University of Glasgow). The ‘Designing Active Pedagogies’ course aims to raise our students’ awareness of the importance of space and place with an aspiration to promote active learning.
The delivery of the course was dialogic in nature. We developed a theoretical model, offered as a discursive framework within which students could situate their own academic practice. For example, the three main units focused on digital storytelling, object-based learning, and learning landscapes, explored from different disciplinary backgrounds (Lysaker and Furuness, 2011).
For the course assignment, students were required to reflect in a scholarly way on their experiences through the production of a digital teaching artefact. The course culminated in a joint presentation about their teaching innovations to our annual learning and teaching conference, and we are in the process of a co-authoring an associated SoTL paper.
Lysaker, J.T. and Furuness, S. 2011. Space for Transformation: Relational, Dialogic Pedagogy. Journal of Transformative Education 9(3) 183-197
Creative approaches to academic practice leading to the scholarship of teaching and learning [A-100]
Exploring space and place through active learning pedagogies
"Designing active pedagogies" is a 10-credit course delivered as part of the PGCAP/MEd in Academic Practice. In designing this course, we [Sheridan and Dale] took a creative approach, enabling learners to experiment with notions of place, space and active learning. Using a narrative framework for course design (the five steps of Freytag’s (1894) pyramid), we created activities to:
1. Establish a starting point (‘exposition’) for exploration by introducing the learners to our underpinning theoretical framework which examines the intersections between student, teacher and place domains;
2. Create the potential for cognitive dissonance (‘rising action’) by introducing participants to the theory and practice of digital storytelling (Bernard, 2008), object-based learning (Chatterjee, 2011) and learning landscapes (Löw and Goodwin, 2016), with the potential to apply these to their own teaching practice;
3. Enable learners to create and get peer feedback on their formative artefacts (‘climax’);
4. Encourage learners to showcase their learning from previous sessions, inside and outside the classroom (‘falling action’); and
5. Empower learners to integrate the active pedagogies into their own teaching practice as a result of their reflections and scholarly engagement through the summative assessment (‘denouement’).
Learners will share their experiences of what the course meant for them and their teaching practice, illustrated through multimedia course artefacts.
BERNARD, R. R. 2008. Digital Storytelling: A Powerful Technology Tool for the 21st Century Classroom. Theory Into Practice, 47, 220.
CHATTERJEE, H. J. 2011. Object-based learning in higher education: The pedagogical power of museums [Online]. Available: https://edoc.hu-berlin.de/bitstream/handle/18452/9349/chatterjee.pdf?sequence=1&isAllowed=y [Accessed 5 November 2018].
FREYTAG, G. 1894. Freytag's Technique of the Drama: An Exposition of Dramatic Composition and Art, translated and edited by Elias J. MacEwan [Online]. Chicago: Scott, Foresman and Company. Available: https://archive.org/details/freytagstechniqu00freyuoft [Accessed 5 November 2018].
LÖW, M. & GOODWIN, D. 2016. The sociology of space: materiality, social structures, and action, New York, Palgrave Macmillan.
ILOs
By the end of this session, participants will be able to:
• Recognise the pros and cons of a range of creative pedagogies for active learning
• Discuss the potential for active pedagogies in their own teaching practice
Co-authors Ahmad, Breslin, Charters, Docherty, Karadaglic and Reid were student participants on the course, which they helped us to refine and develop as the course was delivered. They will share their reflections and artefacts from the cours
Designing active pedagogies
"Designing active pedagogies" is a 10-credit course delivered as part of the PGCAP/MEd in Academic Practice. In designing this course, we [Sheridan and Dale] took a creative approach, enabling learners to experiment with notions of place, space and active learning. Using a narrative framework for course design (the five steps of Freytag’s (1894) pyramid), we created activities to:
1. Establish a starting point (‘exposition’) for exploration by introducing the learners to our underpinning theoretical framework, which examines the intersections (1st, 2nd and 3rd spaces) between student, teacher and place domains;
2. Create the potential for cognitive dissonance (‘rising action’) by introducing participants to the theory and practice of digital storytelling (Bernard, 2008), object-based learning (Chatterjee, 2011) and learning landscapes (Löw and Goodwin, 2016), with the potential to apply these to their own teaching practice;
3. Enable learners to create and get peer feedback on their formative artefacts (‘climax’);
4. Encourage learners to showcase their learning from previous sessions, inside and outside the classroom (‘falling action’); and
5. Empower learners to integrate the active pedagogies into their own teaching practice as a result of their reflections and scholarly engagement through the summative assessment (‘denouement’).
Learners brought with them their own prior understanding of active learning from their own disciplines, which was a resource we were able to draw on in terms of co-constructing elements of the course. Learners will share their experiences of what the course meant for them in terms of further developing their teaching practice, illustrated through multimedia course artefacts