28 research outputs found

    A note on a club-shaped variety of Botrydium granulatum (L.) Grev. var.Clavaeformis var. nov.

    Get PDF
    This article does not have an abstract

    Sansar Chand of Kangra at Madaun (Mian Ram Singh Collection)

    No full text
    The most active and prolific school of painting was at Tira-Sujanpur under the patronage of Sansar Chan

    Elopement (Mian Kartar Singh Collection)

    No full text
    Shows the elopement of a princess and a mahout. This painting, probably from the reign of Raja Bir Singh, makes liberal use of strong primary colour

    Enraptured Lovers (Raja of Lambagraon Collection)

    No full text
    Krishna and Radha sitting together on the branch of a Bauhinia tree, under the shade of a mango tree, and clump of plantain

    The Lament of Separation (Captain Sunder Singh Collection)

    No full text
    Painting of a viahininayiki, showing a lonely girl playing a small tambura. Illustrates the longings of love (abhilasha

    Melody of Spring (National Museum of India Collection)

    No full text
    Krishna, with his brother Balarama, cowherds and gopis sing and dance in the woods of Brindaba

    Rama and Sita Enthroned (Raja of Lambagraon Collection)

    No full text
    Here, Rama and Sita are shown admiring flights of sarus cranes on a lotus lake. Hanuman, the monkey general of Rama stands in front of them, while his monkey soldiers with dark faces stand to the side. Rama's brothers - Lakshmana, Satrughna & Bharat - stand behind waving chauri

    The Rains (Raja of Lambagraon Collection)

    No full text
    After the summer heat, the rain in the months of Sawan & Bhadon is welcome, as represented her

    Bathing in Summer (Punjab Museum Collection)

    No full text
    The palaces of the Rajput chiefs of Kangra had two types of gardens - daylight and moonlit gardens. This shows the Ranis and maids bathing in the pool in a daylight garde

    Lady in Husband's Clothes (Punjab Museum Collection)

    No full text
    Lonely women whose husbands were away were often shown in men's clothes, as this reminded them of their husband. The Rani is dressed in her husband's clothes, including a turban with peacock feather. One companion holds a thali containing vermilion with which a vermilion mark has been painted on her forehead. The empty bed suggests the absent husban
    corecore