Historical geography III: hope persists

The final report in this series focuses on the emerging intersections between historical geography, archaeology and the law. Whilst staying attuned to the darkest of geographies emerging from the sub-field, this report turns its attention to the creative and critical ways in which the dead are being used to reveal past lives and worlds that have been destroyed and forgotten. Using soil and the archaeological imagination as a pivot, this report centres on the interweaving themes of fragile environments, resurfacing and legal worlds in order to suggest the emerging possibilities for a hopeful excavation of new historical geographies

Researching art extraordinary: a fieldwork photo-collage essay

This photo-collage essay seeks to highlight visually some of the stories of my fieldwork during the project. Although a significant proportion of the research was undertaken in Glasgow Museums Resource Centre and is not covered here, time was spent seeking out connections about place and being ‘in place’ to try and uncover new histories and generate stories that resonate from the collection. The pictures represented here are my own collages inspired by the work of artist extraordinary Marylene Walker. Marylene’s layering of sights, sounds, lives and experiences deeply resonated with me and I used her techniques to help tell the tales of my fieldwork. Extracts from my fieldwork diary accompany the pictures to give some context. These are not detailed interpretations or explanations of the scenes but are, in many ways, simply reflections of being ‘in place’ during the fieldwork

Carceral Spatiality: Dialogues between Geography and Criminology: Book Review

No abstract available

'The Head Carver ’: Art Extraordinary and the small spaces of the asylum

This paper uses the unique collection of Scottish outsider art, labelled Art Extraordinary, as a window into the often neglected small spaces of asylum care in the early twentieth century. By drawing upon materials from the Art Extraordinary collection and its associated archives, this paper demonstrates the importance of incorporating small and everyday spaces of care – such as gardens, paths, studios and boats – into the broader historical narratives of psychiatric care in Scotland. Examples of experiential memorialization and counterpoints to asylum surveillance culture will be illuminated. The significance of using ‘outsider’ art collections as a valuable source in tracing geographical histories will be highlighted

Words

No abstract available

Researching art extraordinary: a fieldwork photo-collage essay

This photo-collage essay seeks to highlight visually some of the stories of my fieldwork during the project. Although a significant proportion of the research was undertaken in Glasgow Museums Resource Centre and is not covered here, time was spent seeking out connections about place and being ‘in place’ to try and uncover new histories and generate stories that resonate from the collection. The pictures represented here are my own collages inspired by the work of artist extraordinary Marylene Walker. Marylene’s layering of sights, sounds, lives and experiences deeply resonated with me and I used her techniques to help tell the tales of my fieldwork. Extracts from my fieldwork diary accompany the pictures to give some context. These are not detailed interpretations or explanations of the scenes but are, in many ways, simply reflections of being ‘in place’ during the fieldwork

Carceral Spatiality: Dialogues between Geography and Criminology: Book Review

No abstract available

Historical geography I: What remains?

Abstract This report uses the First World War as a way to open up current debates into issues of bodies, selves, battlefields, memory and death in historical geography and beyond. Sweeping through a range of scales, from the global nature of imperialist practices to the intimate spaces of the psyche, this report highlights the contributions that historical geographers are making to these studies and the creative approaches taken. The aim is to expose the need for historical geography to engage with the darkest corners of human experience, in relation to conflict, so as to learn from the past in present insecure times

Historical geography I: What remains?

Abstract This report uses the First World War as a way to open up current debates into issues of bodies, selves, battlefields, memory and death in historical geography and beyond. Sweeping through a range of scales, from the global nature of imperialist practices to the intimate spaces of the psyche, this report highlights the contributions that historical geographers are making to these studies and the creative approaches taken. The aim is to expose the need for historical geography to engage with the darkest corners of human experience, in relation to conflict, so as to learn from the past in present insecure times