Class

Steel produced in Youngstown, Ohio, helped America win World War II, and it was used to build the bridges that we cross and the buildings in which we live. But in the 1970s, the mills began closing. Some 50,000 well-paid jobs were gone. There was a concurrent rise in anger as the workers and their children struggled to survive with minimum-wage jobs or in the gig economy. Youngstown represents the widening chasm of class division in the United States. Journalists need to understand how class informs politics and culture. In this episode we talk with a labor studies expert about how to cover the working class

Buffy the vampire slayer: what being Jewish has to do with it

This article examines the whiteness in the television series Buffy the Vampire Slayer. The author argues that the show’s overwhelming whiteness is a product of a generalized white anxiety about the numerical loss of white dominance across the United States and, in particular, in California. The article goes on to think through the role that Jewishness plays in the program, discussing the relationship between the apparently Anglo-American Buffy, played by a Jewish actor, and her sidekick, Willow, who is characterized as Jewish but is played by a non-Jewish actor. The evil master in the first series is given Nazi characteristics and the destruction that he wants to inflict carries connotations of the Holocaust. Structurally, Buffy is produced as the Jew who saves the United States from this demonic destruction. In this traumatic renarrativising, the Holocaust comes to stand for the white-experienced crisis of the loss of white supremacy in the United States. With this reading we can begin to understand the show’s popularity among early adult, predominantly white Americans

And their children aftaer them/ Maharidge

262 hal.: ill.; 23 cm