Smartphone-based vase design: a developing creative practice

peer-reviewedThis article describes a developing creative practice whereby digital creative processes adapted from mobile music making are used in the data driven design and subsequent digital instantiation of ceramic vessels. First, related work in mobile music creation and recent developments in the digital design and fabrication of ceramics frames the research and puts it in a broad context. A pilot study is then detailed, concluding that although largely successful, a number of areas of the process needed to be improved and refined. The results of a further iteration of the process, consisting of the digital creation and instantiation of location-specific vessels is presented, before the current state of the research, where ceramic vessels are 3D printed, is outlined. We show that mobile phones can become integral to a practical design process that allows the digital forms it creates to be instantiated using 3D printing, and that these become high-quality, end-use artefacts. The final section discusses what has been learned and contemplates how the described practice will be developed yet further

Smartphone-based vase design: a developing creative practice

This article describes a developing creative practice whereby digital creative processes adapted from mobile music making are used in the data driven design and subsequent digital instantiation of ceramic vessels. First, related work in mobile music creation and recent developments in the digital design and fabrication of ceramics frames the research and puts it in a broad context. A pilot study is then detailed, concluding that although largely successful, a number of areas of the process needed to be improved and refined. The results of a further iteration of the process, consisting of the digital creation and instantiation of location-specific vessels is presented, before the current state of the research, where ceramic vessels are 3D printed, is outlined. We show that mobile phones can become integral to a practical design process that allows the digital forms it creates to be instantiated using 3D printing, and that these become high-quality, end-use artefacts. The final section discusses what has been learned and contemplates how the described practice will be developed yet further