15 research outputs found

    Stranger than Fiction: Fan Identity in Cosplay

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    Academic accounts of fan cultures usually focus on creative practices such as fan fiction, fan videos, and fan art. Through these practices, fans, as an active audience, closely interpret existing texts and rework them with texts of their own. A practice scarcely examined is cosplay ("costume play"), in which fans produce their own costumes inspired by fictional characters. Cosplay is a form of appropriation that transforms and actualizes an existing story in close connection to the fan community and the fan's own identity. I provide analytical insights into this fan practice, focusing on how it influences the subject. Cosplay is understood as a performative activity and analyzed through Judith Butler's concept of performativity. I specifically focus on boundaries between the body and dress, and on those between reality and fiction. I aim to show that cosplay emphasizes the personal enactment of a narrative, thereby offering new perspectives on fan identity

    BBC's Sherlock Fans in Search of the Canon

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    Sherlock Abroad: Dutch fans interpret the famous detective

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    The Mediation of Fandom in Karin Giphart's Maak me blij.

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    Abstract:The plot of the Dutch novel Maak me blij (Make me happy) (2005) by Karin Giphart draws from the culture of online fan communities. It describes the life of a lesbian in her late 20s, Ziggy, who has a terminally ill mother. Ziggy is an active fan who writes and reads femmeslash fan fiction-that is, lesbian interpretations of characters from mainstream series such as Star Trek: Voyager (1995-2001). By providing through Ziggy a personal view of fan communities and the genres that flourish there, Maak me blij connects the romantic motives of original lesbian fiction with its underground sister, fan fiction. The novel draws from various source texts and illustrates how fans interpret texts within a wider literary landscape. I use the concept of intermediality to analyze how Maak me blij mediates different types of original fiction (lesbian romances, science fiction) and fan fiction (femmeslash, Star Trek fan fiction) to establish new views on fandom and its construction of gender and intimacy. These motives are not only apparent within the text itself but also within the character of Ziggy as a fan writer with her own original alien characters

    Stelling, T. (2012). Manga in de Polder.

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    NRC's Tamar Stelling details Dutch manga culture in an overview article
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