Matthew Murray wins Professional Book, Monograph at the International Photography Awards, 2018, in New York

Saddleworth: Responding To A Landscape has won the Professional Book, Monograph Category at the International Photography Awards in New York. The publication contains Essays by Martin Barnes Senior Curator of Photographs at the V&A Museum, London, Richard Billingham & Maartje van den Heuvel (Special Collections Leiden) & designed by Pirate Amsterdam. The International Photography Awards attracts a huge number of entrants and across a number of categories, Professional and Amateur. There were over 12,000 entries from 115 countries from around the world and was judged by a number of Curators, Publishers, Art Critics including Bob Ahern, Director Of Archive Photography, Getty Images, Amy Salzman, Senior Art Producer, Saatchi & Saatchi NYC, Collier Brown, Photography Critic, Harvard University, David Clarke, Former Head Of Photography, Tate, Michael Pritchard Director, The Royal Photographic Society, Tiffany Sprague, Director Of Publications And Editorial Services, Yale University Art Gallery

Matthew Murray wins Professional Book, Monograph at the International Photography Awards, 2018, in New York

Saddleworth: Responding To A Landscape has won the Professional Book, Monograph Category at the International Photography Awards in New York. The publication contains Essays by Martin Barnes Senior Curator of Photographs at the V&A Museum, London, Richard Billingham & Maartje van den Heuvel (Special Collections Leiden) & designed by Pirate Amsterdam. The International Photography Awards attracts a huge number of entrants and across a number of categories, Professional and Amateur. There were over 12,000 entries from 115 countries from around the world and was judged by a number of Curators, Publishers, Art Critics including Bob Ahern, Director Of Archive Photography, Getty Images, Amy Salzman, Senior Art Producer, Saatchi & Saatchi NYC, Collier Brown, Photography Critic, Harvard University, David Clarke, Former Head Of Photography, Tate, Michael Pritchard Director, The Royal Photographic Society, Tiffany Sprague, Director Of Publications And Editorial Services, Yale University Art Gallery

The Rural Gaze

In January 2020 GRAIN Projects commissioned 11 new bodies of work by photographers who collaborated with rural communities, making work in response to rural locations in the English Midlands. The diversity of approaches are significant and provide a new voice in the rural aesthetic. This book contains eleven new bodies of work that draw our attention to some of these issues and themes. Writers Camilla Brown and Mark Durden have contributed essays to this publication that explore the themes of the work by commissioned artists and photographers Alannah Cooper, Emily Graham, Guy Martin, Leah Gordon, Marco Kesseler, Matthew Broadhead, Murray Ballard, Navi Kaur, Oliver Udy and Colin Robins, Polly Braden and Sam Laughlin. In the work the artists and photographers explore issues of rural life, environments, economics, politics, land use, community, young people and cultural identity against a backdrop of crises of post Brexit agricul- ture, the climate emergency and Covid 19 pandemic. In England the rural accounts for 80% of the land area and around 20% of the population (source DEFRA). These are communities that are the minority, are often not heard as loudly as the urban, who face many societal issues including deprivation, isolation, health and wellbeing concerns and are often misaligned and misunderstood. The projects range from the poetic, documentary, conceptual and arch- ival and demonstrate a range of different approaches to photography about the rural that is not dominated by the picturesque, pastoral or romantic but by the complexities, connections and diversity of the rural landscape. The work responds to people and places in a state of significant change and decline and our essential and integral relationship with the rural. The projects show a disappearing way of life, disconnected commu- nities and habitat loss, brought on by a lack of understanding of the rural, our extraction from the natural world and consumerism. At this time rural communities have lost faith in our politics, government and systems, not for the first time in our history, Brexit has so far failed the countryside and rural habitats and communities are vanishing