Sonya Levien

From a poverty stricken immigrant to one of Hollywood’s highest paid screenwriters, Levien’s life exemplifies the opportunities available to some women during the silent era of filmmaking. Born Sonya Opesken in 1888 in Panimunik, a small Jewish village within the Russian Empire, she emigrated with her family to the Lower East Side of New York, where her father had taken the name of Levien. Sonya grew up in a politically leftist household, which informed her early life, but which seems to have had little lasting influence on her screenwriting. However, the experience of poverty never totally left her; she wrote in an article published in 1918 in the Metropolitan: “A feather-duster factory swallowed up my teens at four dollars a week… If I would live I must escape from the East Side. If my body did not die, my mind and spirit would” (8)

Anzia Yezierska

There is a good deal of inaccuracy and mythologizing about the life of Anzia Yezierska. Some of this misinformation was generated by the public relations offices of Hollywood; other misrepresentations resulted from Yezierska’s own obfuscation, especially concerning her age. Yezierska may have been born in 1880 (although the date is disputed), in a Polish-Russian village, the youngest of nine children. She grew up in a poor, Jewish Orthodox family on New York’s Lower East Side. She left elementary school to help support her family, but evidently a burning passion for learning and a desire to make something of herself led her to Columbia University in 1901, where she lied about a high school diploma to gain admittance. She began writing short stories in 1913 about the Jewish ghetto. The success of her short story collection, Hungry Hearts, published in 1920, led to an offer from Samuel Goldwyn for the motion picture rights and a chance to work on the screenplay in Hollywood. She was offered $10,000 and dubbed “the sweatshop Cinderella,” a phrase created by Howard Dietz, a publicist at the Goldwyn studios