The story of men's underwear

Men’s fashion, particularly the trends involving undergarments, was once reserved for the elite; today it has become democratised, clear proof of social progress. The aestheticism of the body so highly valued by the Greeks seems to have regained a prominent place in the masculine world. Mirroring the evolution of society’s values, the history of underwear also highlights the continuous, dancing exchange that exists between women’s styles and men’s fashion. Undergarments are concealed, flaunted, stretched or shortened, establishing a game between yesterday’s illicit and today’s chic and thereby denouncing the sense of disgrace that these simple pieces of clothing used to betray. In this work, Shaun Cole endeavours to re-establish for the first time, through well-researched socio-economic analysis, the importance of men’s underwear in the history of costume from ancient times to today. A reflection of technological progress, this study is full of surprises and powerful reflections on man’s relationship with his body

Constraining Omega using weak gravitational lensing by clusters

The morphology of galaxy clusters reflects the epoch at which they formed and hence depends on the value of the mean cosmological density, Omega. Recent studies have shown that the distribution of dark matter in clusters can be mapped from analysis of the small distortions in the shapes of background galaxies induced by weak gravitational lensing in the cluster potential. We construct new statistics to quantify the morphology of clusters which are insensitive to limitations in the mass reconstruction procedure. By simulating weak gravitational lensing in artificial clusters grown in numerical simulations of the formation of clusters in three different cosmologies, we obtain distributions of a quadrupole statistic which measures global deviations from spherical symmetry in a cluster. These distributions are very sensitive to the value of Omega_0 and, as a result, lensing observations of a small number of clusters should be sufficient to place broad constraints on Omega_{0} and certainly to distinguish between the extreme values of 0.2 and 1.Comment: Submitted to MNRAS. Compressed postscript also available at ftp://star-ftp.dur.ac.uk/pub/preprints/wcf2.ps.g

Sexuality, Identity and the Clothed Male Body

‘Sexuality, Identity and the Clothed Male Body’ is a PhD by Published Work that draws together a collective body of work that deals specifically and significantly with the dressed male body. This thesis presents a case for the collection of publications included in the submission to be viewed as a coherent body of work which makes a contribution to knowledge in the fields of fashion studies and cultural studies, in which the works are situated. The body of work consists of two monographs - Don We Now Our Gay Apparel: Gay Men’s Dress in the Twentieth Century (Berg, 2000), and The Story of Men’s Underwear (Parkstone International Press, 2010) - and two chapters in edited books - ‘Butch Queens in Macho Drag: Gay Men, Dress and Subcultural Identity’ (2008) and ‘Hair and Male (Homo)Sexuality: Up-Top and Down Below’ (2008). Through an examination of the major themes addressed throughout the submitted body of work – sexuality, identity, subcultural formation, men’s dress and masculinities and clothes and the body - this thesis demonstrates that the published work contributes to knowledge through its two major foci. Firstly, the means by which gay men have utilised their dressed bodies as a situated and embodying practice to articulate identity, masculinity, and social and sexual interaction, and secondly an examination of men’s underwear’s specific function in the covering, exposing and representation of men’s bodies. These were, until recently, relatively neglected areas of fashion studies and dress history, and by explicitly bringing together these areas to present a comprehensive investigation this thesis serves to provide a new contribution to knowledge in these areas. Taking an interdisciplinary approach, that is common in both fashion studies and cultural studies, the specific combination of research methods that is employed throughout the body of work, has provided a unifying element that further enhances this contribution to knowledge

Community Development and Commercial Bank Performance: A Mutually-Dependent Relationship

Community/Rural/Urban Development, Financial Economics,