29 research outputs found

    Nรฉgritude graphique : De Congostrips ร  Afro-bulles

    No full text
    ์ผ€๋ƒ ์ถœ์‹ ์˜ ์‘๊ตฌ๊ธฐ ์™€ ์”จ์˜น์˜คNgugi wa Thiono๋Š” ์ผ์ฐ์ด ์ž์‹ ์˜ ์ €์„œ์ธ ์—์„œ ์‹๋ฏผ์ง€ ์ง€๋ฐฐ๊ตญ์˜ ๋ฌธํ™”์  ์นจ๋žต์„ ๋น„ํŒํ•˜๋ฉฐ ์ œ๊ตญ์ฃผ์˜๊ฐ€ ์‹ค์ œ์  ์ผ์ƒ์ ์œผ๋กœ ๊ฐ€ํ•˜๊ณ  ํœ˜๋‘๋ฅด๋Š” ๊ฐ€์žฅ ํฐ ๋ฌด๊ธฐ๋Š” ๋ฌธํ™”ํญํƒ„์ด๋ผ๊ณ  ์ฃผ์žฅํ•œ๋‹ค. ๋ฌธํ™”ํญํƒ„์˜ ์˜ํ–ฅ๋ ฅ์€ ํ•œ ๊ตญ๋ฏผ์ด ์ž์‹ ์˜ ์ด๋ฆ„, ์–ธ์–ด, ํ™˜๊ฒฝ, ๊ทธ๋“ค์˜ ํˆฌ์Ÿ์œ ์‚ฐ, ๊ทธ๋“ค์˜ ๊ฒฐ์†, ๊ทธ๋“ค์˜ ๋Šฅ๋ ฅ, ์ข…๊ตญ์ ์œผ๋กœ ๊ทธ๋“ค ์ž์‹ ์— ๋Œ€ํ•ด ๊ฐ–๋Š” ๋ฏฟ์Œ์„ ๋ฌด๋ ฅํ™”์‹œํ‚จ๋‹ค๋Š” ๋ฐ์— ์žˆ๋‹ค. ์ด ๋ฌธํ™” ํญํƒ„๋“ค ์ค‘ ๋งŒํ™”๋Š” ๋‹ค์–‘ํ•œ ํญ์˜ ๋…์ž์ธต์„ ๊ฑฐ๋Š๋ฆฐ ๋Œ€์ค‘๋ฌธํ™”์ด์ž, ํŠนํžˆ ์–ด๋ฆฐ์ด๋“ค๊ณผ ์ฒญ์†Œ๋…„๋“ค์—๊ฒŒ ์‚ฌ๋ž‘๋ฐ›๋Š” ๋งค์ฒด์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์œ ๋…„๊ธฐ๋กœ๋ถ€ํ„ฐ ๋‹ค์–‘ํ•œ ์‹œ๊ฐ ๋งค์ฒด์— ๋…ธ์ถœ๋œ ์–ด๋ฆฐ์ด๋“ค์ด ์‚ฌ๊ณ  ์ž‘์šฉ์ด๋‚˜ ํŒ๋‹จ๋ ฅ์˜ ๋ฏธ์ˆ™ํ•จ์œผ๋กœ ์ธํ•ด ๋งŒํ™” ์†์— ๋“ฑ์žฅํ•˜๋Š” ํŠน์ • ๋ฌธํ™”๋‚˜ ์ธ์ข…, ์ด๋…์ด๋‚˜ ์‚ฌ์ƒ์— ๊ด€ํ•œ ํŽธ๊ฒฌ์„ ํ˜•์„ฑํ•ด ๋‚˜๊ฐˆ ์œ„ํ—˜์„ ๋˜ํ•œ ๊ฐ„๊ณผํ•  ์ˆ˜ ์—†๋‹ค. ์ตœ๊ทผ๊นŒ์ง€ ์ง€์†๋˜์—ˆ๋˜, ๋ฒจ๊ธฐ์— ๋งŒํ™”๊ฐ€ ์—๋ฅด์ œHergรฉ์˜ ์„ ๋‘˜๋Ÿฌ์‹ผ ๋ฒ•์ • ๊ณต๋ฐฉ์„ ์ƒ๊ธฐํ•ด ๋ณผ ๋•Œ ์šฐ๋ฆฌ๋Š” ์€๊ตฌ๊ธฐ ์™€ ์”จ์˜น์˜ค๊ฐ€ ์–ธ๊ธ‰ํ–ˆ๋˜ ๋ฌธํ™”ํญํƒ„์˜ ์œ„ํ—˜์„ฑ์„ ๋‹ค์‹œ ํ•œ ๋ฒˆ ์‹ค๊ฐํ•˜๊ฒŒ ๋˜๋ฉฐ, ๋งŒํ™”๋ฅผ ํ†ตํ•ด ํ˜•์„ฑ๋  ์ˆ˜ ์žˆ๋Š” ํŠน์ • ๋ฌธํ™”์˜ ์ด๋ฏธ์ง€๊ฐ€ ์–ผ๋งˆ๋‚˜ ๊ฐ•ํ•œ ํŒŒ๊ธ‰๋ ฅ์„ ์ง€๋‹ ์ˆ˜ ์žˆ๋Š”์ง€๋ฅผ ์žฌ์ฐจ ํ™•์ธํ•˜๊ฒŒ ๋œ๋‹ค.Cet article se propose dexaminer le regard colonisรฉ, et sa dรฉcolonisation, dans la BD africaine au moyen du concept de Nรฉgritude graphique, et ainsi, de dรฉgager une identitรฉ culturelle de lAfrique aprรจs son indรฉpendance politique. Pour illustrer cet examen, nous prenons comme exemple le cas du Congo. Comme on le sait, de la pรฉriode coloniale ร  nos jours, la BD congolaise a รฉtรฉ inรฉvitablement influencรฉe par la BD franco-belge puisquun nombre important de dessinateurs congolais ont รฉtudiรฉ en Belgique. Alors on est en droit de se poser la question : est-ce quil y a une diffรฉrence entre les mondes prรฉsentรฉs par ces dessinateurs, celui davant lindรฉpendance et celui daprรจs? Existe-t-il une BD purement africaine? Pour rรฉpondre ร  ces questions, nous avons suivi le processus de formation de la BD congolaise originale ร  travers son histoire. La bande dessinรฉe africaine รฉmerge depuis 2010, cinquantiรจme anniversaire de lindรฉpendance de lAfrique. En effet, aprรจs la naissance de Congostrips, un dessinateur congolais, Alix Fuilu a crรฉรฉ Afro-bulles en 2002, une association spรฉcialisรฉe dans lรฉdition et la promotion de la BD africaine. Le mouvement actuel pourrait sappeler Nรฉgritude visualisรฉe, autrement dit, Nรฉgritude graphique. Quelle est alors la diffรฉrence entre la Nรฉgritude littรฉraire des annรฉes 30 et la Nรฉgritude graphique de nos jours? Enfin ce mouvement peut-il prรฉsenter une nouvelle alternative pour surmonter la limite de la Nรฉgritude littรฉraire

    ๋Œ€ํ•™๊ต์œก์—์„œ e-Learning ํšจ๊ณผ์ ์ธ ์ ์šฉ ๋ฐฉ์•ˆ

    Get PDF

    The Effects of Event Representation to Peer Problem Solving Ability

    No full text
    ํ•™์œ„๋…ผ๋ฌธ (์„์‚ฌ)-- ์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› : ์•„๋™๊ฐ€์กฑํ•™๊ณผ, 2013. 2. ์ด๊ฐ•์ด.์ด ์—ฐ๊ตฌ๋Š” ์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ์ด ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ์•Œ์•„๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์ด ์œ ์•„์˜ ์—ฐ๋ น๊ณผ ์„ฑ๋ณ„์— ๋”ฐ๋ผ ์–ด๋– ํ•œ ์–‘์ƒ์„ ๋ณด์ด๋Š”์ง€ ์‚ดํŽด๋ณด๊ณ , ์‚ฌ๊ฑดํ‘œ์ƒ์ด ์œ ์•„์˜ ์—ฐ๋ น๊ณผ ์„ฑ๋ณ„ ๋ฐ ์‚ฌ๊ฑด์˜ ๊ฒฝํ—˜ ์œ ๋ฌด์— ๋”ฐ๋ผ ์–ด๋– ํ•œ ์–‘์ƒ์„ ๋ณด์ด๋Š”์ง€ ์‚ดํŽด๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ๊ณผ ์‚ฌ๊ฑดํ‘œ์ƒ์˜ ๊ด€๊ณ„๋ฅผ ์•Œ์•„๋ณด๊ณ , ์‚ฌ๊ฑดํ‘œ์ƒ์ด ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์— ๋ฏธ์น˜๋Š” ์ƒ๋Œ€์  ์˜ํ–ฅ๋ ฅ์„ ์•Œ์•„๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ์ด๋Ÿฌํ•œ ์—ฐ๊ตฌ๋ชฉ์ ์— ๋”ฐ๋ผ ๋‹ค์Œ๊ณผ ๊ฐ™์€ ์—ฐ๊ตฌ๋ฌธ์ œ๋ฅผ ์„ค์ •ํ•˜์˜€๋‹ค. ใ€ ์—ฐ๊ตฌ๋ฌธ์ œ 1 ใ€‘์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์€ ์–ด๋– ํ•œ ์–‘์ƒ์„ ๋ณด์ด๋ฉฐ, ์ด๋Š” ์œ ์•„์˜ ์„ฑ๋ณ„๊ณผ ์—ฐ๋ น์— ๋”ฐ๋ผ ์œ ์˜ํ•œ ์ฐจ์ด๊ฐ€ ์žˆ๋Š”๊ฐ€? ใ€ ์—ฐ๊ตฌ๋ฌธ์ œ 2 ใ€‘์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ(์‚ฌ๊ฑด์žฌ์ธ, ์‚ฌ๊ฑด๋ฐฐ์—ด)์€ ์–ด๋– ํ•œ ์–‘์ƒ์„ ๋ณด์ด๋ฉฐ, ์ด๋Š” ์œ ์•„์˜ ์„ฑ๋ณ„๊ณผ ์—ฐ๋ น, ๊ทธ๋ฆฌ๊ณ  ์‚ฌ๊ฑด์˜ ๊ฒฝํ—˜ ์œ ๋ฌด์— ๋”ฐ๋ผ ์œ ์˜ํ•œ ์ฐจ์ด๊ฐ€ ์žˆ๋Š”๊ฐ€? ใ€ ์—ฐ๊ตฌ๋ฌธ์ œ 3 ใ€‘์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ๊ณผ ์‚ฌ๊ฑดํ‘œ์ƒ(์‚ฌ๊ฑด์žฌ์ธ, ์‚ฌ๊ฑด๋ฐฐ์—ด)์€ ์œ ์˜๋ฏธํ•œ ๊ด€๊ณ„๋ฅผ ๋ณด์ด๋Š”๊ฐ€? ใ€ ์—ฐ๊ตฌ๋ฌธ์ œ 4 ใ€‘์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ(์‚ฌ๊ฑด์žฌ์ธ, ์‚ฌ๊ฑด๋ฐฐ์—ด)์ด ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์— ๋ฏธ์น˜๋Š” ์ƒ๋Œ€์  ์˜ํ–ฅ๋ ฅ์€ ์–ด๋– ํ•œ๊ฐ€? ์ด์ƒ์˜ ์—ฐ๊ตฌ๋ฌธ์ œ๋ฅผ ๊ฒ€์ฆํ•˜๊ธฐ ์œ„ํ•ด ์„œ์šธ์— ์œ„์น˜ํ•œ ์–ด๋ฆฐ์ด์ง‘์— ์žฌ์› ์ค‘์ธ 3์„ธ ์œ ์•„ 48๋ช…, 5์„ธ ์œ ์•„ 50๋ช…, ์ด 98๋ช…์„ ๋Œ€์ƒ์œผ๋กœ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ๊ณผ ์‚ฌ๊ฑดํ‘œ์ƒ ๊ฒ€์‚ฌ๋ฅผ ์‹ค์‹œํ•˜์˜€๋‹ค. ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์„ ์•Œ์•„๋ณด๊ธฐ ํ•˜๊ธฐ ์œ„ํ•ด ๊ทธ๋ฆผ์„ ์ด์šฉํ•˜์—ฌ ์œ ์•„๊ฐ€ ๊ฐ€์„ค์  ๋˜๋ž˜๋ฌธ์ œ ์ƒํ™ฉ์˜ ์ด์•ผ๊ธฐ๋ฅผ ๋“ฃ๊ณ  ์กฐ์‚ฌ์ž์˜ ์งˆ๋ฌธ์— ์‘๋‹ตํ•˜๋Š” ๊ฒ€์‚ฌ๋ฅผ ์‹ค์‹œํ•˜์˜€์œผ๋ฉฐ, ์‚ฌ๊ฑดํ‘œ์ƒ์„ ์•Œ์•„๋ณด๊ธฐ ์œ„ํ•ด ์œ ์•„๊ฐ€ ์‚ฌ๊ฑด๊ณผ ๊ด€๋ จ๋œ ๊ทธ๋ฆผ์นด๋“œ๋ฅผ ๋งž์ถ”๋Š” ์‚ฌ๊ฑด์žฌ์ธ ๊ฒ€์‚ฌ์™€ ์‚ฌ๊ฑด์„ ์ˆœ์„œ๋Œ€๋กœ ๋งž์ถ”๋Š” ์‚ฌ๊ฑด๋ฐฐ์—ด ๊ฒ€์‚ฌ๋ฅผ ์‹ค์‹œํ•˜์˜€๋‹ค. ์ˆ˜์ง‘๋œ ์ž๋ฃŒ๋Š” SPSS Win 18.0 ํ”„๋กœ๊ทธ๋žจ์—์„œ ๋นˆ๋„, ํ‰๊ท , ํ‘œ์ค€ํŽธ์ฐจ, t๊ฒ€์ฆ, ์ด์›๋ณ€๋Ÿ‰ ๋ถ„์„, ๋ฐ˜๋ณต์ธก์ •๋ณ€๋Ÿ‰ ๋ถ„์„, ์ƒ๊ด€๊ด€๊ณ„๋ถ„์„, ์œ„๊ณ„์  ํšŒ๊ท€๋ถ„์„์„ ์ด์šฉํ•˜์—ฌ ํ†ต๊ณ„ ์ฒ˜๋ฆฌํ•˜์˜€๋‹ค. ์—ฐ๊ตฌ์˜ ์ฃผ์š”๊ฒฐ๊ณผ๋ฅผ ์š”์•ฝํ•˜๋ฉด ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. ์ฒซ์งธ, ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์€ ์—ฐ๋ น์— ๋”ฐ๋ฅธ ์ฐจ์ด๊ฐ€ ๋‚˜ํƒ€๋‚˜์„œ, 5์„ธ์•„๊ฐ€ 3์„ธ์•„์— ๋น„ํ•ด์„œ ๊ฐ€์„ค์ ์ธ ๋˜๋ž˜๋ฌธ์ œ ์ƒํ™ฉ์— ๋Œ€ํ•ด ๊ณต๋™์ ์ด๊ณ  ์ƒํ˜ธ์ ์ธ ๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์„ ๋ณด์˜€๋‹ค. ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์˜ ์„ฑ๋ณ„์— ๋”ฐ๋ฅธ ์ฐจ์ด๋Š” ๋‚˜ํƒ€๋‚˜์ง€ ์•Š์•˜๋‹ค. ๋‘˜์งธ, ์œ ์•„์˜ ์‚ฌ๊ฑด์žฌ์ธ, ์‚ฌ๊ฑด๋ฐฐ์—ด์€ ์—ฐ๋ น์— ๋”ฐ๋ผ ๋‹ค๋ฅด๊ฒŒ ๋‚˜ํƒ€๋‚œ๋‹ค. ์—ฐ๋ น์ด ๋†’์„์ˆ˜๋ก ์œ ์•„๋Š” ์‚ฌ๊ฑด๊ณผ ๊ด€๋ จ๋œ ํ–‰์œ„, ์ˆœ์„œ๋ฅผ ๋” ์ž˜ ์•Œ๊ณ  ์žˆ์—ˆ๋‹ค. ๋˜ํ•œ 5์„ธ ๋‚จ์•„๊ฐ€ ์—ฌ์•„๋ณด๋‹ค ์‚ฌ๊ฑด๋ฐฐ์—ด์—์„œ ๋‹ค์†Œ ๋†’์€ ๊ฒฝํ–ฅ์„ ๋ณด์˜€๋‹ค. ๋˜ํ•œ ์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ์€ ์‚ฌ๊ฑด์˜ ๊ฒฝํ—˜ ์œ ๋ฌด์— ๋”ฐ๋ผ์„œ ๋‹ค๋ฅด๊ฒŒ ๋‚˜ํƒ€๋‚œ๋‹ค. ์œ ์•„๋Š” ๋ฏธ๊ฒฝํ—˜ ์‚ฌ๊ฑด๋ณด๋‹ค ๊ฒฝํ—˜ ์‚ฌ๊ฑด์˜ ๊ด€๋ จ ํ–‰์œ„๋“ค์„ ๋” ๋งŽ์ด ์•Œ๊ณ , ๊ฒฝํ—˜ ์‚ฌ๊ฑด์˜ ์ธ๊ณผ์  ์ˆœ์„œ์— ๋Œ€ํ•ด์„œ๋„ ์ž˜ ์•„๋Š” ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ์…‹์งธ, ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์€ ์‚ฌ๊ฑดํ‘œ์ƒ ์ค‘ ๊ฒฝํ—˜์‚ฌ๊ฑด ์žฌ์ธ๊ณผ ๊ฐ€์žฅ ๋†’์€ ์ƒ๊ด€์„ ๋ณด์ด๋ฉฐ ๊ฒฝํ—˜์‚ฌ๊ฑด ์žฌ์ธ์— ์ง์ ‘์ ์ธ ์˜ํ–ฅ์„ ๋ฐ›๋Š” ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ๋˜ํ•œ ๋ฏธ๊ฒฝํ—˜์‚ฌ๊ฑด ์žฌ์ธ์€ ๊ฒฝํ—˜์‚ฌ๊ฑด ์žฌ์ธ๊ณผ ๋ฐฐ์—ด์ด ํˆฌ์ž…๋œ ์ƒํƒœ์—์„œ๋Š” ์œ ์˜ํ•˜์ง€ ์•Š์•˜์œผ๋ฏ€๋กœ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์— ๋Œ€ํ•œ ๊ฐ„์ ‘์ ์ธ ์˜ํ–ฅ๋ ฅ์ด ํ™•์ธ๋˜์—ˆ๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ๋‹ค์Œ๊ณผ ๊ฐ™์€ ์˜์˜๊ฐ€ ์žˆ๋‹ค. ์ฒซ์งธ, ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์— ๋Œ€ํ•œ ์œ ์•„์˜ ์‘๋‹ต์„ ๊ธฐ์กด์˜ ์ด์›ํ™”๋œ ๋ถ„๋ฅ˜๋ฐฉ์‹(๊ธ์ •, ๋ถ€์ •)์—์„œ ๋ฒ—์–ด๋‚˜ ์‘๋‹ต ์ˆ˜์ค€์— ๋”ฐ๋ผ ์ ์ˆ˜ํ™”ํ•˜์˜€๋‹ค. ์ด๋Š” ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์„ ์‚ฌํšŒ์  ๋ฌธ์ œ ํ•ด๊ฒฐ์„ ์œ„ํ•œ ์ •์‹ ์  ๊ณผ์ •์ด ํฌํ•จ๋œ ์ข…ํ•ฉ๋œ ๋Šฅ๋ ฅ์œผ๋กœ ํ‰๊ฐ€ํ•˜์—ฌ ์ด์ „๋ณด๋‹ค ๊ฐ๊ด€์  ์ž๋ฃŒ๋ฅผ ์ œ๊ณตํ–ˆ๋‹ค๋Š” ์ ์— ์˜์˜๊ฐ€ ์žˆ๋‹ค. ๋˜ํ•œ ๋˜๋ž˜๋ฌธ์ œ ์ƒํ™ฉ์ด ๋‹ค์–‘ํ•œ ํ˜•ํƒœ๋กœ ๋‚˜ํƒ€๋‚  ์ˆ˜ ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ๋˜๋ž˜๊ด€๊ณ„ ๋‚ด์—์„œ ์ผ์–ด๋‚  ์ˆ˜ ์žˆ๋Š” ๋‹ค์–‘ํ•œ ํ˜•ํƒœ์˜ ๊ฐˆ๋“ฑ ์ƒํ™ฉ์„ ๊ณ ๋ คํ•˜์—ฌ ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์„ ์‚ดํŽด๋ณด์•˜๋‹ค. ๋‘˜์งธ, ์ด ์—ฐ๊ตฌ๋Š” ์œ ์•„๊ธฐ ๋˜๋ž˜๊ด€๊ณ„์˜ ๋ฐœ๋‹ฌ์  ๋ณ€ํ™”๋ฅผ ๊ณ ๋ คํ•˜์—ฌ ๋˜๋ž˜๊ด€๊ณ„๊ฐ€ ํ™•์žฅ๋˜๊ธฐ ์‹œ์ž‘ํ•˜๋Š” 3์„ธ ์œ ์•„์™€ 5์„ธ๋ฅผ ํ•จ๊ป˜ ๋น„๊ตํ•จ์œผ๋กœ์จ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ๊ณผ ์‚ฌ๊ฑดํ‘œ์ƒ์˜ ๋ฐœ๋‹ฌ์  ๊ฒฝํ–ฅ์„ ์•Œ์•„๋ณด์•˜๋‹ค. ์…‹์งธ, ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ์‹ค์ œ๋กœ ์œ ์•„๊ฐ€ ๊ฒฝํ—˜ํ•œ ์‚ฌ๊ฑด๊ณผ ๊ฒฝํ—˜ํ•˜์ง€ ์•Š์€ ์‚ฌ๊ฑด์„ ๊ตฌ๋ถ„ํ•˜์—ฌ ์‚ฌ๊ฑดํ‘œ์ƒ์„ ์‚ดํŽด๋ด„์œผ๋กœ์จ ์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ์ด ๊ฒฝํ—˜๊ณผ ๋ฐ€์ ‘ํ•œ ๊ด€๋ จ์ด ์žˆ์Œ์„ ๋ณด์—ฌ์ฃผ์—ˆ๋‹ค. ์ด๋Š” ์‚ฌ๊ฑด์„ ๊ฒฝํ—˜ํ•˜๋Š” ๊ฒƒ์ด ์œ ์•„์˜ ์‚ฌ๊ณ ์™€ ๊ธฐ์–ต์— ์˜ํ–ฅ์„ ์ฃผ๋Š” ์ค‘์š”ํ•œ ์š”์ธ์ด๋ผ๋Š” ์ ์„ ์‹œ์‚ฌํ•œ๋‹ค. ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ์‚ฌ๊ฑดํ‘œ์ƒ์ด ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ๋ ฅ์„ ํ™•์ธํ•จ์œผ๋กœ์จ ์œ ์•„์˜ ๋˜๋ž˜๊ด€๊ณ„ ์งˆ์„ ํ–ฅ์ƒ์‹œํ‚ค๋Š” ๋ฐ์— ํ•„์š”ํ•œ ์‚ฌํšŒ์ธ์ง€์  ์š”์†Œ๋กœ ์‚ฌ๊ฑดํ‘œ์ƒ์˜ ์˜๋ฏธ๋ฅผ ์‚ดํŽด๋ณธ ๋ฐ์— ์˜์˜๊ฐ€ ์žˆ๋‹ค.โ… . ๋ฌธ์ œ์ œ๊ธฐ 1 โ…ก. ์ด๋ก ์  ๋ฐฐ๊ฒฝ ๋ฐ ์„ ํ–‰์—ฐ๊ตฌ ๊ณ ์ฐฐ 6 1. ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ 6 1) ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์˜ ๋ฐœ๋‹ฌ 9 2) ๋ฌธ์ œ ์ƒํ™ฉ์— ๋”ฐ๋ฅธ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ 11 2. ์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ 13 1) ์‚ฌ๊ฑดํ‘œ์ƒ์˜ ๋ฐœ๋‹ฌ 16 2) ์‚ฌ๊ฑด์˜ ๊ฒฝํ—˜ ์œ ๋ฌด์— ๋”ฐ๋ฅธ ์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ 17 3. ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ๊ณผ ์‚ฌ๊ฑดํ‘œ์ƒ์˜ ๊ด€๊ณ„ 19 โ…ข. ์—ฐ๊ตฌ๋ฌธ์ œ ๋ฐ ์šฉ์–ด์˜ ์ •์˜ 22 1. ์—ฐ๊ตฌ๋ฌธ์ œ 22 2. ์šฉ์–ด์˜ ์ •์˜ 23 โ…ฃ. ์—ฐ๊ตฌ๋ฐฉ๋ฒ• ๋ฐ ์ ˆ์ฐจ 25 1. ์—ฐ๊ตฌ๋Œ€์ƒ 25 2. ์ธก์ •๋„๊ตฌ 28 1) ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ ๊ฒ€์‚ฌ 28 2) ์‚ฌ๊ฑดํ‘œ์ƒ ๊ฒ€์‚ฌ 33 3. ์—ฐ๊ตฌ์ ˆ์ฐจ 38 1) ์˜ˆ๋น„์กฐ์‚ฌ 38 2) ๋ณธ์กฐ์‚ฌ 40 4. ์ž๋ฃŒ์˜ ๋ถ„์„ 41 โ…ค. ์—ฐ๊ตฌ๊ฒฐ๊ณผ ๋ฐ ํ•ด์„ 42 1. ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ 42 2. ์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ 46 3. ์œ ์•„์˜ ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ๊ณผ ์‚ฌ๊ฑดํ‘œ์ƒ์˜ ๊ด€๊ณ„ 52 4. ์œ ์•„์˜ ์‚ฌ๊ฑดํ‘œ์ƒ์ด ๋˜๋ž˜๋ฌธ์ œํ•ด๊ฒฐ๋ ฅ์— ๋ฏธ์น˜๋Š” ์ƒ๋Œ€์  ์˜ํ–ฅ๋ ฅ 54 โ…ฅ. ๊ฒฐ๋ก  ๋ฐ ๋…ผ์˜ 58 ์ฐธ๊ณ ๋ฌธํ—Œ 65 ๋ถ€๋ก 78 Abstract 86Maste

    ์›น๊ธฐ๋ฐ˜ ํ•™์Šต์—์„œ ํ•™์Šต์ž์˜ ์„ ํ˜ธ๋„์™€ ์ฐฝ ํ™œ์šฉ๋ฐฉ์‹์ด ํ•™์—…์„ฑ์ทจ์— ๋ฏธ์น˜๋Š” ํšจ๊ณผ

    No full text
    ํ•™์œ„๋…ผ๋ฌธ(์„์‚ฌ)--์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› :๊ต์œกํ•™๊ณผ ๊ต์œก๊ณตํ•™์ „๊ณต,1999.Maste

    (A)Study on the text reduction in E-learning environment

    No full text
    ํ•™์œ„๋…ผ๋ฌธ(๋ฐ•์‚ฌ)--์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› :๊ต์œกํ•™๊ณผ ๊ต์œก๊ณตํ•™์ „๊ณต,2006.Docto

    Limagination coloniale de la BD franco-belge entre des annรฉes 1930 et des annรฉes 1950, exprimรฉe par le mot petit nรจgre

    No full text
    ์—ฌ๋Ÿฌ ์‹œ๊ฐ๋งค์ฒด๋“ค ์ค‘ ๋งŒํ™”๋Š” ๋‹ค์–‘ํ•œ ํญ์˜ ๋…์ž์ธต์„ ์ง€๋‹Œ ๋Œ€์ค‘๋ฌธํ™”์ด์ž, ํŠนํžˆ ์–ด๋ฆฐ์ด๋“ค๊ณผ ์ฒญ์†Œ๋…„๋“ค์—๊ฒŒ ์‚ฌ๋ž‘๋ฐ›๋Š” ๋งค์ฒด์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ฐˆ์ˆ˜๋ก ์‹œ๊ฐ ์ด๋ฏธ์ง€์˜ ๋น„์ค‘์ด ๋†’์•„์ง€๊ณ  ์žˆ๋Š” ์˜ค๋Š˜๋‚ , ์šฐ๋ฆฌ๋Š” ์–ด๋ฆฐ ์‹œ์ ˆ๋ถ€ํ„ฐ ์นœ์ˆ™ํ•˜๊ฒŒ ์ ‘ํ•ด ์˜จ ์ด๋ฏธ์ง€๋“ค์— ๋‚ด์žฌํ•œ ๋‹ค์–‘ํ•œ ์ด๋ฐ์˜ฌ๋กœ๊ธฐ๊ฐ€ ์‚ฌ๊ณ ์— ๋ฏธ์น  ์ˆ˜ ์žˆ๋Š” ์˜ํ–ฅ๋ ฅ์„ ๊ฐ„๊ณผํ•œ ์ฑ„, ๊ทธ์ € ๊ฐ๊ฐ์ ์ด๊ณ  ์œ ํฌ์ ์ธ ์ฐจ์›์—์„œ๋งŒ ์ด๋ฅผ ์†Œ๋น„ํ•˜๊ณ  ์žˆ์ง€๋Š” ์•Š์€์ง€ ๋ฐ˜์„ฑํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค. ์œ ๋…„๊ธฐ๋กœ๋ถ€ํ„ฐ ๋‹ค์–‘ํ•œ ์‹œ๊ฐ๋งค์ฒด์— ๋…ธ์ถœ๋œ ์–ด๋ฆฐ์ด๋“ค์€ ์‚ฌ๊ณ  ์ž‘์šฉ์ด๋‚˜ ํŒ๋‹จ๋ ฅ์˜ ๋ฏธ์ˆ™ํ•จ์œผ๋กœ ์ธํ•ด ๋งŒํ™” ์†์— ๋“ฑ์žฅํ•˜๋Š” ํŠน์ • ๋ฌธํ™”๋‚˜ ์ธ์ข…, ๋‚˜์•„๊ฐ€ ์ด๋…๊ณผ ์‚ฌ์ƒ์— ๊ด€ํ•œ ๋ฌด์ฐจ๋ณ„์  ํŽธ๊ฒฌ์„ ํ˜•์„ฑํ•ด ๋‚˜๊ฐˆ ์œ„ํ—˜์ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๊ธ€๋กœ๋ฒŒ ์‹œ๋Œ€์— ๊ฑธ๋งž์€ ๊ตญ์ œ์ ์ธ ์ธ์žฌ ์–‘์„ฑ์ด ์ ˆ์‹คํ•œ ์‹œ์ ์—์„œ, ๋‹ค๋ฌธํ™” ์‚ฌํšŒ๋ฅผ ์‚ด๊ณ  ์žˆ๋Š” ์šฐ๋ฆฌ๋Š” ๊ณผ์—ฐ ์ด ๊ฐ™์€ ๋ฌธํ™”์  ํŽธ๊ฒฌ์„ ๊ทน๋ณตํ•˜๊ธฐ ์œ„ํ•œ ๋Œ€์•ˆ์„ ์–ผ๋งˆ๋‚˜ ๋ณด์œ ํ•˜๊ณ  ์žˆ๋Š”๊ฐ€์— ๊ด€ํ•ด ์ž๋ฌธํ•  ์‹œ์ ์— ์ด๋ฅด๋ €๋‹ค.Rรฉcemment, le procรจs intentรฉ au Tintin au Congo dHergรฉ nous a permis de rรฉflรฉchir au passรฉ du colonialisme belge, bien que cette action judiciaire soit considรฉrรฉe comme quelque peu exagรฉrรฉe. Hergรฉ lui aussi a jugรฉ par la suite que Tintin au Congo รฉtait un ยซ pรฉchรฉ de jeunesse ยป. De mรชme, Franquin confessait dans un entretien avec Numa Sadoul, quil lui suffisait des images dAfrique ร  la base de films danimation ou dautres sources visuelles quil voyait au cinรฉma pour dessiner les รฉpisodes de la sรฉrie de Spirou. La pรฉriode de limagination coloniale entre les annรฉes 1930 et 1950 coรฏncide prรฉcisรฉment avec lรขge dor de la BD franco-belge. ร€ cette รฉpoque, la BD belge รฉtait en train dรฉtendre son influence jusque sur le marchรฉ de la BD franรงaise ; et bien que rangรฉe dans la mรชme catรฉgorie que la BD franco-belge, elle est tout ร  fait diffรฉrente

    The Effect of Users' Information Processing Type on Learning and Teaching Effectiveness of Educational IPTV

    No full text
    ๋ณธ ์—ฐ๊ตฌ๋Š” ์ „๊ตญ์˜ ์ดˆ์ค‘๋“ฑ ๊ต์‚ฌ ๋ฐ ํ•™์ƒ๋“ค ์ค‘ 2010๋…„ 2ํ•™๊ธฐ์— IPTV ๊ต์œก์„œ๋น„์Šค๋ฅผ ์‹œ๋ฒ”์šด์˜ํ•˜๋Š” ์—ฐ๊ตฌํ•™๊ต ๊ตฌ ์„ฑ์›๋“ค์„ ๋Œ€์ƒ์œผ๋กœ ์ •๋ณด์ฒ˜๋ฆฌ์Šต๊ด€์ด IPTV์˜ ๊ต์œก์  ํšจ๊ณผ์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ํƒ์ƒ‰ํ•ด ๋ณด๊ธฐ ์œ„ํ•˜์—ฌ ์ˆ˜ํ–‰๋˜์—ˆ๋‹ค. ์—ฐ๊ตฌ ์˜ ๋Œ€์ƒ์€ ์ „๊ตญ์— ๊ฑธ์ณ ๋ถ„ํฌํ•˜๊ณ  ์žˆ๋Š” IPTV ์‹œ๋ฒ”์—ฐ๊ตฌํ•™๊ต์˜ ๊ต์‚ฌ ๋ฐ ํ•™์ƒ๋“ค์ด์—ˆ๋‹ค. ์ „์ฒด ์‹œ๋ฒ”ํ•™๊ต, ์ฆ‰ ์ดˆ๋“ฑํ•™๊ต 9๊ฐœ๊ต, ์ค‘ํ•™๊ต 6๊ฐœ๊ต, ๊ณ ๋“ฑํ•™๊ต 7๊ฐœ๊ต ๋“ฑ ์ด 22๊ฐœ๊ต์˜ ๊ตฌ์„ฑ์› ์ค‘ ์„ค๋ฌธ์— ์ถฉ์‹คํžˆ ์‘๋‹ตํ•œ ๊ต์‚ฌ 55๋ช…, ํ•™์ƒ 1,389๋ช… ์˜ ์‘๋‹ต ๊ฒฐ๊ณผ๋ฅผ ํ† ๋Œ€๋กœ ์ •๋ณด์ฒ˜๋ฆฌ์Šต๊ด€ ์œ ํ˜•์ด ๋ช…ํ™•ํ•˜๊ฒŒ ๋‚˜ํƒ€๋‚œ ๊ต์‚ฌ 22๋ช…๊ณผ ํ•™์ƒ 103๋ช…์˜ IPTV ํ™œ์šฉ ํšจ๊ณผ์„ฑ ์ธ์‹ ์กฐ์‚ฌ ๊ฒฐ๊ณผ๋ฅผ ๋ถ„์„ํ•˜์˜€๋‹ค. ๋ถ„์„ ๊ฒฐ๊ณผ, ๊ต์‚ฌ์˜ ๊ฒฝ์šฐ ์ •๋ณด์ฒ˜๋ฆฌ์Šต๊ด€์— ๋”ฐ๋ฅธ IPTV์˜ ๊ต์œก์  ์†์„ฑ ์ธก๋ฉด์—์„œ๋Š” ์ •๋ณด์ฒ˜๋ฆฌ์Šต๊ด€์— ๋”ฐ๋ฅธ ์œ ์˜๋ฏธํ•œ ์ฐจ์ด๋Š” ๋‚˜ํƒ€๋‚˜์ง€ ์•Š์•˜์œผ๋‚˜ ์–ธ์–ด์ •๋ณด์ฒ˜๋ฆฌ์ž์— ํ•ด๋‹น๋˜๋Š” ๊ต์‚ฌ๋“ค์ด ๋ณด๋‹ค ๊ธ์ •์ ์œผ ๋กœ ์ธ์‹ํ•˜๋Š” ๊ฒฝํ–ฅ์ด ๋‚˜ํƒ€๋‚ฌ๋‹ค. IPTV ํ™œ์šฉ ๊ต์œก์— ๋Œ€ํ•œ ์„ฑ๊ณผ์ธ์ง€๋„๋Š” ์ •๋ณด์ฒ˜๋ฆฌ์Šต๊ด€ ์ฆ‰, ์–ธ์–ด์ •๋ณด์ฒ˜๋ฆฌ์ž์™€ ์‹œ๊ฐ์ • ๋ณด์ฒ˜๋ฆฌ์ž์—๊ฒŒ์„œ ๋น„์Šทํ•œ ์ˆ˜์ค€์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ์œผ๋ฉฐ, ์œ ์˜๋ฏธํ•œ ์ฐจ์ด๊ฐ€ ๋‚˜ํƒ€๋‚˜์ง€ ์•Š์•˜๋‹ค. ํ•™์ƒ์˜ ๊ต๊ณผํƒœ๋„ ์ฐจ์ด๋ฅผ ๋ถ„์„ ํ•œ ๊ฒฐ๊ณผ, ์‚ฌํšŒ๊ณผ, ๊ณผํ•™๊ณผ, ์˜์–ด๊ณผ์—์„œ ์–ธ์–ด์ •๋ณด์ฒ˜๋ฆฌ์ž๊ฐ€ ์‹œ๊ฐ์ •๋ณด์ฒ˜๋ฆฌ์ž๋ณด๋‹ค ์œ ์˜๋ฏธํ•˜๊ฒŒ ๋†’์€ ๊ต๊ณผํƒœ๋„๋ฅผ ๋ณด์˜€ ๋‹ค. ์ด๋Ÿฌํ•œ ์—ฐ๊ตฌ์˜ ๊ฒฐ๊ณผ๋Š” ๊ต๊ณผ๋ณ„๋กœ ํ•™์Šต์ž๋“ค์˜ ์ •๋ณด์ฒ˜๋ฆฌ์Šต๊ด€์„ ๊ณ ๋ คํ•˜์—ฌ ์ฝ˜ํ…์ธ ์˜ ์ œ์‹œ๋ฐฉ์‹์ด๋‚˜ ๋งค์ฒด ์†์„ฑ์„ ์ฐจ๋ณ„ํ™”ํ•˜๊ณ  ์ •๊ตํ™”ํ•  ํ•„์š”๊ฐ€ ์žˆ์Œ์„ ์‹œ์‚ฌํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์˜ ๊ฒฐ๊ณผ๋Š” ์‚ฌ์šฉ์ž์˜ ์ •๋ณด์ฒ˜๋ฆฌ์Šต๊ด€์ด๋‚˜ ์œ ํ˜•๋ณ„ ์ฝ˜ํ…์ธ  ์‚ฌ ์šฉ ์ด๋ ฅ ๋ฐ ์ •๋ณด๋ฅผ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šคํ™”ํ•˜์—ฌ ์‚ฌ์šฉ์ž๊ฐ€ ์„ ํ˜ธํ•˜๊ณ  ํ•„์š”๋กœ ํ•˜๋Š” ์ž๋ฃŒ, ์ •๋ณด, ์ฝ˜ํ…์ธ  ๋“ฑ์„ ์ถ”์ฒœํ•ด ์ฃผ๋Š” ์‹ค์งˆ์ ์ธ ์‹œ์Šคํ…œ๊ณผ ์„œ๋น„์Šค์— ๋Œ€ํ•œ ์ „๋žต์  ๋ฐฉ์•ˆ ๋งˆ๋ จ์˜ ํ•„์š”์„ฑ์„ ์‹œ์‚ฌํ•˜๊ณ  ์žˆ๋‹ค. The Internet Protocol Television (IPTV) has been getting much attention as educational media equipped with contents, high fidelity, and interactivity. The Ministry of Education, Science, and Technology (MEST) and Korean Educational Research Information Service (KERIS) appointed 22 IPTV initiative schools (102 classrooms as total) nationwide to investigate feasibility of IPTV in classrooms since October 2009. The purpose of this study was to investigate the effect of users' information processing type on learning and Teaching effectiveness of Educational IPTVTo achieve the research purpose, survey were conducted from 22 schools including 22 teachers and 103 students. As results of research, teachers reponses were not significantly different between two types of information processing; Visual information process style group and language information process style group did not show critical differences in IPTV attibutes and in performance output recognition. Also, students who were language information process style were more positive in attitude on subjects (social science and science). The research results implicate that customized and automated IPTV contents type classification and recommendation function can be plugged-in the LMS system for IPTV. IPTV can provide more user-oriented service, based on contents development and system elaborated by users' information processing type

    A Conceptual Framework for e-Learning in Higher Education: From the perspective of Structure and Interaction

    No full text
    ๋Œ€ํ•™ ์ด๋Ÿฌ๋‹์˜ ์–‘์  ํ™•๋Œ€์— ๋น„ํ•ด ๊ต์ˆ˜์ž, ํ•™์Šต์ž, ๊ฐœ๋ฐœ์ž, ์šด์˜์ž, ๊ธฐํš์ž ๋“ฑ ๋Œ€ํ•™์˜ ์ด๋Ÿฌ๋‹ ๊ด€๋ จ์ž๋“ค์˜ ๋งŒ์กฑ๋„ ๋ฐ ์งˆ์  ์ฒด๊ณ„ํ™”์— ๋Œ€ํ•œ ์ธ์‹์€ ์—ฌ์ „ํžˆ ๋ฏธํกํ•œ ์ˆ˜์ค€์ด๋‹ค. ์ด๋Ÿฌํ•œ ์›์ธ ์ค‘ ํ•˜๋‚˜๋Š” ์ด๋Ÿฌ๋‹ ์ฒด์ œ๋Š” ๋‹จ์ˆœํžˆ ํ•œ ์ธก๋ฉด์œผ๋กœ ์ดํ•ดํ•ด์„œ๋Š” ์•ˆ ๋˜๋Š”, ์ด์ฒด์ , ํ†ตํ•ฉ์ ์ธ ์‚ฌํšŒ์  ์ฒด์ œ๋กœ ์ดํ•ด๋˜์–ด์•ผ ํ•จ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ , ๊ต์ˆ˜์ž๋‚˜ ๊ฐœ๋ฐœ์ž, ์šด์˜์ž, ๊ธฐ๊ด€์žฅ ๋“ฑ ๋งŽ์€ ์ด๋Ÿฌ๋‹ ๊ด€๋ จ์ž๋“ค์€ ์ง๊ฐ„์ ‘์ ์ธ ์ž์‹ ์˜ ์ผ๋ถ€ ๊ฒฝํ—˜๋งŒ์œผ๋กœ ์ด๋Ÿฌ๋‹ ์ „์ฒด๋ฅผ ๋‹จ์–ธํ•˜๋Š”, ์žฅ๋‹˜ ์ฝ”๋ผ๋ฆฌ ๋งŒ์ง€๊ธฐ์˜ ์šฐ๋ฅผ ๋ฒ”ํ•˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ์ ์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋”ฐ๋ผ์„œ ๋ณธ ์—ฐ๊ตฌ๋Š” ๊ต์ˆ˜์ž, ์ฝ˜ํ…์ธ  ๊ฐœ๋ฐœ์ž, ์‹œ์Šคํ…œ ๊ฐœ๋ฐœ์ž, ๊ฐ•์ขŒ ์šด์˜์ž, ํ˜น์€ ์ด๋Ÿฌ๋‹ ๊ธฐ๊ด€์žฅ ๋ฐ ์˜ˆ์‚ฐ ๊ธฐํš์„ ํ•ด์•ผ ํ•˜๋Š” ๋ณด์ง์ž ๋“ฑ์ด ์ด๋Ÿฌ๋‹ ์ฒด์ œ๋ฅผ ์ดํ•ดํ•˜๊ณ  ๊ฐ ๊ฒฝ์šฐ์˜ ๋ชฉ์ ๊ณผ ์ƒํ™ฉ์— ๋งž๋Š” ๋ณด๋‹ค ์ ์ ˆํ•œ ๊ธฐํš๊ณผ ์„ค๊ณ„๋ฅผ ํ•  ์ˆ˜ ์žˆ๋„๋ก, ํฐ ๊ทธ๋ฆผ์œผ๋กœ์„œ์˜ ๊ฐœ๋…์ฒด์ œ๋ฅผ ์ œ๊ณตํ•˜๊ณ ์ž ํ•˜๋Š” ๋ชฉ์ ์—์„œ ์ˆ˜ํ–‰๋˜์—ˆ๋‹ค. ๋จผ์ € ๊ตฌ์กฐํ™”์™€ ๋Œ€์ธ ์ƒํ˜ธ์ž‘์šฉ์ด๋ผ๋Š” ๋‘ ์ถ•์„ ๊ธฐ์ค€์œผ๋กœ ๋Œ€ํ•™ ์ด๋Ÿฌ๋‹์˜ ๊ต์ˆ˜-ํ•™์Šต ์œ ํ˜•์„ ๋ถ„๋ฅ˜ํ•˜๊ธฐ ์œ„ํ•œ ๊ฐœ๋…์  ์ค€๊ฑฐ๋ฅผ ์ œ์•ˆํ•œ ํ›„, ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํ•˜์—ฌ ์ฝ˜ํ…์ธ  ๊ฐœ๋ฐœ ๋ฐ ๊ฐ•์ขŒ ์šด์˜ ์ฐจ์›์—์„œ ์ ‘๊ทผํ•œ ๋Œ€ํ•™ ์ด๋Ÿฌ๋‹ ์šด์˜์„ ์œ„ํ•œ ๊ฐœ๋…์ฒด์ œ๋ฅผ ๋„์ถœํ•˜์˜€๋‹ค. ์ฝ˜ํ…์ธ  ๊ฐœ๋ฐœ ์œ ํ˜•์€ ์žฌ์‚ฌ์šฉ, ํ…์ŠคํŠธ, ๊ฐ•์˜๋…นํ™”(VOD), ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ์ž๋ฃŒ, ๊ฐ•์˜๋…นํ™”์™€ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ์ž๋ฃŒ์˜ ํ˜ผํ•ฉ, WBI, ๋น„๋””์˜ค/์˜ค๋””์˜ค ๊ฐ•์˜, ๋น„๋””์˜ค/์˜ค๋””์˜ค ๊ฐ•์˜์™€ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ์ž๋ฃŒ ๋“ฑ 8๊ฐ€์ง€ ์œ ํ˜•์œผ๋กœ, ๊ฐ•์ขŒ ์šด์˜ ๋ฐฉ์‹์€ ์ž์œจํ•™์Šต, ์•ˆ๋‚ด๋œ ์ž์œจํ•™์Šต, ๊ด€๋ฆฌํ˜• ์ƒํ˜ธ์ž‘์šฉ ํ•™์Šต, ํ•™์Šต์ด‰์ง„ํ˜• ์ƒํ˜ธ์ž‘์šฉ ํ•™์Šต ๋“ฑ 4๊ฐ€์ง€ ์œ ํ˜•์œผ๋กœ ๋ถ„๋ฅ˜๋˜์—ˆ๋‹ค. ์ „ ๊ณผ์ •์€ ๋Œ€ํ•™ ์ด๋Ÿฌ๋‹ ์ „๋ฌธ๊ฐ€๋“ค๋กœ ๊ตฌ์„ฑ๋œ ์ดˆ์ ์ง‘๋‹จํšŒ์˜์™€ ์ „๋ฌธ๊ฐ€ ํƒ€๋‹นํ™” ๊ณผ์ •์„ ๊ฑฐ์ณค์œผ๋ฉฐ, ์ด๋ ‡๊ฒŒ ๋„์ถœ๋œ ๊ฐœ๋…์ฒด์ œ๋ฅผ ํ˜„์‹ค์— ๋ณด๋‹ค ์‰ฝ๊ฒŒ ์ ์šฉํ•  ์ˆ˜ ์žˆ๋„๋ก ๊ฐ•์ขŒ ๋ชฉ์ ์— ๋”ฐ๋ฅธ ์ด๋Ÿฌ๋‹ ๊ฐœ๋ฐœ ๋ฐ ์šด์˜ ์œ ํ˜•์˜ ์˜ˆ๋ฅผ ์ œ์‹œํ•˜์˜€๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋Œ€ํ•™์˜ ์ด๋Ÿฌ๋‹ ์ฒด์ œ๋ฅผ ์ฒด๊ณ„์ ์œผ๋กœ ์กฐ์งํ•˜๊ณ ์ž ํ•  ๋•Œ, ์ด๋Ÿฌ๋‹ ๋„์ž… ๋ชฉ์ ์— ๋”ฐ๋ฅธ ์ฝ˜ํ…์ธ  ๊ฐœ๋ฐœ ์œ ํ˜•๊ณผ ๊ฐ•์ขŒ ์šด์˜ ๋ฐฉ์‹์„ ๊ฐ€๋Š ํ•  ์ˆ˜ ์žˆ๋„๋ก ๊ฐœ๋…์  ์ดํ•ด์˜ ํ‹€๊ณผ ์ด๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ๊ตฌ์ฒด์ ์ธ ์‹คํ–‰ ๊ณ„ํš์„ ์„ธ์šธ ์ˆ˜ ์žˆ๋Š” ์‹œ์‚ฌ์ ์„ ์ œ๊ณตํ•  ๊ฒƒ์œผ๋กœ ๊ธฐ๋Œ€๋œ๋‹ค. The purpose of this research is to develop a conceptual framework for e-Learning in higher education. First, on the theoretical basis of 'structure' and 'interpersonal interaction', the framework of 'e-learning contents development types' and 'course management types' were developed and verified. Then, according to the university's goal from e-learning, certain e-learning contents types and course management types were suggested from this conceptual framework. Research methods were previous literature analysis, focus group interviews, and experts verification. As results, e-learning content development types include [reuse / text / VOD / multimedia / VOD & multimedia / WBI] for asynchronous mode and [video conference / video conference & multimedia] for synchronous mode. Course management types include [self free learning mode, admin (login only mode), managerial tutoring mode, and highly interactive academic tutoring mode]. Depending on the purpose of each institute to adopt e-learning, such as highly advanced expert re-education, or popular general education for lifelong learning, or credit courses within a university or for interuniversity exchange program, the university can choose their own e-learning contents development types and course management types upon the conceptual framework developed in this research
    corecore