论故事新编小说中的主体介入 = A study on subjective interventions in 'old tales retold' fiction

Ph.DDOCTOR OF PHILOSOPH

Representative Modes of Taiwan Experiences in Malaysia's “Nanyang” Narration

朱崇科，中山大学亚太研究院教授，文学博士。【中文摘要】台湾经验和马华文学生态关系的讨论属于华文文学学科前沿性课题。对于马华文学中的留台作家群体来说，台湾经验以及相关思潮对他们个体创作的影响及其再现可以分成四种模式：1.宏观的留台马华作家谱系及其诗社，以王润华的诗歌为代表，既体现了当时台湾型现代主义的各种优点和先锋性，更好地观照台湾，又具有国际主义视野和情怀，创设出独特的南洋诗学；2.立足台湾的南洋书写，主要是考察马华作家在台湾时的有关南洋的文学创作，核心问题指向“原乡”；3.扎根大马的南洋创制，主要是研究留台后回归南洋的作家们的创作；4.台湾视野下的南洋论述，呈现出马华批评的台湾视野及其丰厚力度。上述四种模式更多是从宏观层面的梳理，更具体的个案叙述有待继续深化和完善。 【Abstract】The issue on the relationship between Taiwan Experiences and Malaysian Chinese literature field is a preceding topic within Sinophone literature studies. How do we evaluate Taiwan experiences in Malaysian Chinese literature? It is an interesting but complex issue and also a large challenge both to the authors and to the researchers. This kind of impacts and representations can be divided into four modes: 1.general vision and its genealogy based on a case study about WONG Woonwah；2.Nanyang writing based on Taiwan, with an emphasis on how the Malaysian writers in Taiwan describe their hometown-Malaysia；3.Nanyang writing based on Malaysia, with an emphasis on how they deal with Malaysia after they returned to Malaysia from Taiwan；4.Nanyang criticism in the framework of Taiwan vision on which the Malaysian critics in Taiwan of course have a good advantage. The above four modes are dealt with from a macroscopic point of view and more concrete case studies must be developed in the future.国家社科基金重大项目“华文文学与中华文化研究”（14ZDB080