5,163 research outputs found

    ECONOMIC COOPERATION IN TURKISH CULTURE: PUBLIC GOODS GAMES AND LONELY ELEPHANTS

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    While the public good experiment has been used to analyze cooperation among various groups in Western Europe and North America, it has not been extensively used in other contexts such as Turkey. This project seeks to rectify that and explore how Turkish university students informally self govern. By employing the public good experiment among a cohort of students attending universities in Ýzmir, Turkey and Adýyaman, Turkey, we hope to quantitatively analyze the factors which lead to altruistic punishment, to antisocial punishment, and ultimately to enhanced cooperation in Turkish society.Cooperation, Free Riding, Altruism, Punishment, Trust, Experimental Economics, Public Good Experiments

    The Chicago & Alton Railroad: the Only Way

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    Review of: The Chicago & Alton Railroad: The Only Way. Glendinning, Gene V

    Stenting of coronary arteries

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    It\u27s an Ultang Photo\u27

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    From Virtue to Sympathy: Perspectives in Eighteenth and Nineteenth Century British Literature on the Disintegration of the Social Bond

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    In general, developments in English literature of the mid-eighteenth century to the early nineteenth century tend to place increasing attention on individual experience and greater variety in characters\u27 aims, motives, and desires. Along with this tendency, the literature reflects alterations in the conceptual understanding of benevolence and sympathy that coincide with other significant changes in perspective, particularly a shift in the general understanding of the construction of the world and society. That is, works of the earlier period reflect perspectives and values of a society motivated by similar goals and desires, while those later works tend to portray characters at odds, in limited or more extreme fashion, with the social structures or larger social, political, and economic forces. The literature also reflects a changing awareness of the relationship between the self and history. Characters or the authors\u27 personas first know themselves within a grand design of history with a universal ordering principle; later, they perceive themselves outside of history and submerging themselves in reenvisioned history or in self-history. The effect of the shifts in these larger perspectives is to undermine the essential understanding of sympathy as a shared, bonding, and redemptive experience that underlies all possibility for community. An examination of the varying notions of sympathy in works by Alexander Pope, Jane Austen, Ann Yearsley, Joanna Baillie, Ann Bannerman, Dorothy Wordsworth, and William Wordsworth from 1730 to 1816 reveals a variety of ways in which an understanding of sympathy changes: from a fully integrated and immediate virtue-based response within a functioning social structure -- that is, sympathy as idealism -- to a more self-defining reaction within the chaotic realities of individual imaginative experience. Understanding the development of and shifts in the concept of sympathy begins, however, with a review of principal statements of four moral sense philosophers of the early to mid-eighteenth century -- Shaftesbury, Frances Hutcheson, David Hume, and Adam Smith. Subtle differences in the way they describe human response to the circumstances of another reflect an increasing awareness of distinctive rather than shared experience

    The Tootin\u27 Louie: A History of the Minneapolis & St. Louis Railway

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    Review of: The Tootin\u27 Louie: A History of the Minneapolis & St. Louis Railway, by Don L. Hofsommer

    The Chicago & Alton Railroad: the Only Way

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    Review of: The Chicago & Alton Railroad: The Only Way. Glendinning, Gene V
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