Performance Anxiety in Western Classical Music: A Malaysian Study

Although performance anxiety is a common problem in life, there are only a few studies on this subject in Malaysia. This article presents the expansion to the body of literature on this important relationship between performance anxiety in Western Classical Music. Millions of people suffer and may experience from performance anxiety, which commonly called as ‘stage fright’. Worst of all, it may prevent a musician from doing what they enjoy or quit from performing which can effect the career. The knowledge affecting to symptoms and signs anxiety during adolescence among students could help if possible areas can be highlighted for the mediating and prevention on the subjects which may assist Malaysian youths in the university setting so they can control the emotions and reduce the anxiet

Authenticity in Music

Authenticity in music is a complex that has intrigued musicians, scholars, and audiences for centuries. It refers to the perceived genuineness, sincerity, and originality of the musical expression, reflecting the artist's ability to convey genuine emotions and experiences. While authenticity is a subjective and evolving notion, it plays an essential role in shaping the listener's connection with the music and the artist. In the contemporary music, the pursuit of authenticity has been both celebrated and challenged. On one hand, artists who can genuinely express their thoughts and emotions through their craft often resonate deeply with audiences, fostering a sense of connection and understanding. This authenticity can be achieved through various means, such as personal storytelling, vulnerability, or innovative approaches to musical compositio