CLOSE ENCOUNTERS OF THREE KINDS: THE WRITING OF INDIAN HISTORY, A Review Essay

Can non-Indians write ”Indian history”? Professor Roy W. Meyer, Director of American Studies at Mankato State University, confronts himself with that vexing question in the prefatory remarks to his survey of the Mandan, Hidatsa, and Arikara peoples from pre-European contact times through the 1970‘s. Although Meyer‘s book is a case study of specific Indian societies, a number of themes he emphasizes will be useful for teachers and students who are not specialists in Indian studies

Multi-access fiber optic data bus using FDM/FSK

The major thrust was to develop a T coupler with very low (0.1 0.2dB) in-line loss. This is essential to any multiaccess bus structure where the word multi implies fifteen or more nodes on the bus, and it is tacitly assumed to be a passive bus. (Reliability considerations tend to exclude the use of active nodes - repeater nodes.

Fiber optic data bus using Frequency Division Multiplexing (FDM) and an asymmetric coupler

A fiber optic data bus, using frequency division multiplexing (FDM) is discussed. The use of FDM is motivated by the need to avoid central control of the bus operation. A major difficulty of such a data bus is introduced by the couplers. An efficient low loss access coupler with an asymmetric structure is presented, and manufacturing processes for the coupler are proposed

Film remakes as ritual and disguise: from Carmen to Ripley

The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. The author focuses on contemporary retellings of three particular tales - Joan of Arc, Carmen, and Psycho - to reveal what she calls the remake's "rituals of disguise." Joan of Arc, the author demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien III film and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, the author shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theatres seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, the author offers an insightful addition to current debates in film theory and cinema history

Film Remakes as Ritual and Disguise

The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joan of Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien III film and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theatres seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Zanger offers an insightful addition to current debates in film theory and cinema history.Wat is de reden van filmproducenten voor het maken van een 'remake', waarin een succesvol verhaal opnieuw verteld wordt? En waarin schuilt de aantrekkingskracht voor het publiek om deze verhalen steeds opnieuw te beleven? Wat maakt Carmen, Jeanne d'Arc of Ripley zo bijzonder? Film Remakes as Ritual and Disguise is de eerste grondige studie die het fenomeen 'remakes' onderzoekt in de context van de filmgeschiedenis. Een zeer breed scala aan films, van Olympia tot Carmen Hip-Hopera, van Jeanne d'Arc tot Aliens en Breaking the Waves, en van Suzanne and the Elders tot de installatie van Hitchcocks Psycho in het Centre Pompidou in 2002 passeert daarbij de revue. Zanger laat zien op welke manier de 'remakes' een nieuwe betekenis krijgen door elkaar te versterken, net iets te veranderen of door naar elkaar te verwijzen. Dit nieuwe deel in de serie "http://www.aup.nl/filmculture">Film Culture in Transition is geschreven vanuit een multidisciplinair perspectief om zodoende de relatie te doorgronden tussen institutionele, intertekstuele en feministische benaderingen van film. Aan de hand van zeer uiteenlopende aspecten van de films toont Zanger hoe de lange schakel van 'remakes' gezien kan worden als een reeks vingerafdrukken die de heersende voorkeur en overtuiging van de filmindustrie blootlegt

QuNetSim: A Software Framework for Quantum Networks

As quantum internet technologies develop, the need for simulation software and education for quantum internet rises. QuNetSim aims to fill this need. QuNetSim is a Python software framework that can be used to simulate quantum networks up to the network layer. The goal of QuNetSim is to make it easier to investigate and test quantum networking protocols over various quantum network configurations and parameters. The framework incorporates many known quantum network protocols so that users can quickly build simulations and beginners can easily learn to implement their own quantum networking protocols.Comment: 11 pages, 6 figure