8 research outputs found

    Authenticity and Duplicity: Investigations into Multiple Copies of Books

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    The University of Pennsylvania Libraries A.S.W. Rosenbach Lectures in Bibliography for 2015: Monday, March 16, 2015: Perfection and Imperfection: Stories of Duplicates on a Scholar-Collector\u27s Bookshelves . Welcome by Will Noel, introduction by Michael Gamer. 1 hr., 10 min. View Video Tuesday, March 17, 2015: Fortune and Misfortune: Inquiries into the First Editions of Moll Flanders . Introduction by David McKnight. 1 hr., 10 min. View Video Thursday, March 19, 2015: Transparency and Deception: Discoveries of Hidden Irish and Scottish Reprints . Introduction by Daniel Traister. 1 hr., 15 min. View Vide

    Life and works of Gilbert Stuart 1743-86: a social and literary study

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    The first Arabic translations of Enlightenment literature: The Damietta circle of the 1800s and 1810

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    The subject of this paper is a circle of translators working in the Egyptian port of Damietta in the 1800s and 1810s. Based around the household of a wealthy Syrian merchant, this circle translated scientific, fictional and historical works of the Enlightenment, from Greek and other languages into Arabic. The first section gives some background on Damietta, the Syrian Christian merchant community there, and the Fakhr family, including contemporary accounts of Basili Fakhr and his household. The second presents the biography of .Isa Petro, the main translator of the Damietta Circle. I then consider the translations themselves, presenting a thematic list of the known translations. I examine three sets of influences on the project: the Modern Greek Enlightenment, contacts with Western Europeans and the revival of Arabic letters among Christians in the seventeenth and eighteenth centuries. I also compare the Damietta project with similar translations being made into Arabic at the same time in Constantinople. I go on to analyse the diffusion of manuscript copies of the Damietta translations, and their influence on readers. Finally, in a conclusion I attempt to assess the general significance of the Damietta Circle for literary and cultural history, in the Arab and Mediterranean contexts
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