14 research outputs found
Children of Iron Gods (Deti chugunnykh bogov) Dir. Tomash Tot. Screenplay: P. Lytsika. Cinematography: Sergei Kozlov. Production design: A. Korolev. Music: I. Orlov. With Evgenii Sidikhin, Larisa Borodina. In Russian. “Kur'er,” Mosfil'm. 1993. - All Souls' Day (Dykhov den') Dir. Sergei Selianov and Nikolai Makarov. Screenplay: M. Konoval'chuk. Cinematography: Sergei Astakhov. With Iurii Shevchuk. Golos. 1992. - Barabaniada Dir. Sergei Ovcharov. Screenplay: Sergei Ovcharov. Cinematography: A. Ustinov. Production design: V. Ivanov. “Dess Production,” Lenfil'm. 1992.
No full textRussia on the Edge: Imagined Geographies and Post-Soviet Identity. By Edith W. Clowes. Ithaca: Cornell University Press, 2011. xviii, 179 pp. Notes. Index. Illustrations. Photographs. Maps. 24.95, paper.
No full textLa représentation des frontières dans le cinéma soviétique des années 1930 : une esthétique de la conquête
No full textEn 1935 le Commissariat du peuple aux Affaires intérieures (NKVD), autrement dit le ministère de l'Intérieur, fut chargé de diriger l'ensemble de la cartographie soviétique. Cette décision politique peut être interprétée comme une reconnaissance symbolique du pouvoir idéologique des cartes géographiques. D'une certaine façon, cette mesure constituait l'aboutissement d'un processus long et complexe – la cartographie de l'ensemble du territoire-qui avait débuté en 1917 en Russie soviétique et q..
Manufacturing Truth: The Documentary Moment in Early Soviet Culture. By Elizabeth Astrid Papazian. DeKalb: Northern Illinois University Press, 2009. xiii, 282 pp. Notes. Bibliography. Index. Illustrations. Photographs. $39.00, hard bound.
No full textBook Review: Oksana Sarkisova: Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia
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Projecting a Soviet space : exploration and mobility in Soviet film and culture 1920-1935
No full textThis thesis was digitised by the British Library from microfilm. You can acquire a single copy of this thesis for research purposes by clicking on the padlock icon on the thesis file. Please be aware that the text in the supplied thesis pdf file may not be as clear as text in a thesis that was born digital or digitised directly from paper due to the conversion in format. However, all of the theses in Apollo that were digitised from microfilm are readable and have been processed by optical character recognition (OCR) technology which means the reader can search and find text within the document. If you are the author of this thesis and would like to make your work openly available, please contact us: [email protected]
Borderless possibilities, hesitant voyagers: Mapping identity in three post-1989 Czech road movies
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