14 research outputs found
Children of Iron Gods (Deti chugunnykh bogov) Dir. Tomash Tot. Screenplay: P. Lytsika. Cinematography: Sergei Kozlov. Production design: A. Korolev. Music: I. Orlov. With Evgenii Sidikhin, Larisa Borodina. In Russian. “Kur'er,” Mosfil'm. 1993. - All Souls' Day (Dykhov den') Dir. Sergei Selianov and Nikolai Makarov. Screenplay: M. Konoval'chuk. Cinematography: Sergei Astakhov. With Iurii Shevchuk. Golos. 1992. - Barabaniada Dir. Sergei Ovcharov. Screenplay: Sergei Ovcharov. Cinematography: A. Ustinov. Production design: V. Ivanov. “Dess Production,” Lenfil'm. 1992.
Russia on the Edge: Imagined Geographies and Post-Soviet Identity. By Edith W. Clowes. Ithaca: Cornell University Press, 2011. xviii, 179 pp. Notes. Index. Illustrations. Photographs. Maps. 24.95, paper.
La représentation des frontières dans le cinéma soviétique des années 1930 : une esthétique de la conquête
En 1935 le Commissariat du peuple aux Affaires intérieures (NKVD), autrement dit le ministère de l'Intérieur, fut chargé de diriger l'ensemble de la cartographie soviétique. Cette décision politique peut être interprétée comme une reconnaissance symbolique du pouvoir idéologique des cartes géographiques. D'une certaine façon, cette mesure constituait l'aboutissement d'un processus long et complexe – la cartographie de l'ensemble du territoire-qui avait débuté en 1917 en Russie soviétique et q..
Manufacturing Truth: The Documentary Moment in Early Soviet Culture. By Elizabeth Astrid Papazian. DeKalb: Northern Illinois University Press, 2009. xiii, 282 pp. Notes. Bibliography. Index. Illustrations. Photographs. $39.00, hard bound.
Book Review: Oksana Sarkisova: Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia
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Projecting a Soviet space : exploration and mobility in Soviet film and culture 1920-1935
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