TEKNOLOGI INFORMASI DALAM MENDOKUMENTASIKAN TUTUR BAHASA NGADHA YANG MENGAJARKAN KODE ETIK TEKS LOKAL

This research is an answer to the concern about the extinction of the local text code of ethics in an area. These codes of ethics teach the noble values ​​of the local area. The area taken in this study is Ngada in the central part of Flores Island, NTT Province. Research and documentation of Ngadha speech which teaches a code of ethics for local texts is widely carried out. However, this is only known by some people who speak Ngadha. The community in general knows the local language spoken from the local customary activities that have been passed down from generation to generation. Current generations and future generations do not know the meaning and speech of their own local language which contains the education of Pancasila values. Information technology is currently one of the solutions in documenting and publishing Ngadha speech. There are 160 Ngadha language sayings which have Pancasila educational values. These data are collected from interviews that have been written in book form and translated into Indonesian. A website is created to document digitally for further dissemination which is equipped with a literal and figurative meaning. It is hoped that, now and in the future, both elementary and secondary school children will know the meaning and value of Ngadha language speech. Educators can teach local wisdom values ​​in the form of texts to students. Another goal, for academic interests, both in the field of information technology and philosophy, is the moral responsibility of academics in documenting local content in Ngadha language

CERITA RAKYAT DARI NUSA TENGGARA TIMUR

v, 57 hlm.; illus,;14 x 21 c

Analisis Pengendalian Anggaran Biaya Perjalanan Dinas pada Sekretariat DPRD Kab Maros

xv, 61 hlm, lam

sastra Lisan Ngadha di Bajawa

x+218hlm.;21c

THE REPRESENTATION OF THE DIVINE AND HUMAN BEING IMAGERY IN THE ENTITY OF RITUS SA’O NGAZA IN GURU SINA, NGADA, FLORES

This dissertation discusses the representation of the Divine and human being imagery in theentity of ritus Sa’o Ngaza in the village of Guru Sina in Ngada Regency, Flores. The empiricproblems of this dissertasion are connected with the marginalized phenomenon of the local religionthat submerged in the entity of ritus Sa’o Ngaza and its ritual practices. This probelm is relevant tobe investigated from the perspectives cultural studies.The problems raised in this study are : 1) the representation of the Divine and human beingimagery in the entity of ritus Sa’o Ngaza, 2) the representation of the relationhip between the Divineand human being in ritual practices of Sa’o Ngaza, and 3) the meaning of the representation of theDivine and human being imagery in the entity of ritus Sa’o Ngaza. This study applies the qualitativemethod and the data collection was done using techniques of intensive interview, participationobservation,and documentation. The data were analyzed using the theory of ritus, the theory ofprocess,the theory of semiotics, and the theory of deconstruction.The findings of the study can be explained as follows. Firstly, the representation of theDivine imagery is dyadic and triadic. In the dyadic imagery representation, The Divine is depicted as’The Giver of an Unlimited Love and at the same time as ’The Unpredictable Taker of Love’. In thetriadic representation, The Divine is depicted as The Sacred, in the attributive as ‘The Beginning’,‘The End’, and ‘The Present Throughout’. In the dyadic imagery, the human being consists of theelements of the body and the soul, and in the triadic imagery, the human being consists of theelements of the body, the psyche, and the spirit.Secondly, the relation between the Divine and human being is representatively revealed inthe ritual practices of legitimating Sa’o Ngaza. This relation centers in the methapor of relationshipbetween the simbolic body dan the religious body, and affirms the status of human being as ’thewrapper of divinity seed’ and ‘His image’.Thirdly, the meaning of the representation of the Divine and human being imagery in theentity of ritus Sa’o Ngaza is sacral , spiritual, and moral. The sacral value pertains to the dinamicrelationship between the human being and the Divine in a sacral way and the sacral place. TheSpiritual value pertains to the relation intra-human being and his spiritual opened and connectedthrough inner feeling with the One Sacral in the strong effort of making the human being perfect.The moral value pertains to a good relationship among human beings themselves in accordance withtheir norms of community.The findings of the study enrich the theory of process about the concept of the Divine fromWhitehead and contrast with the theory of ritus as the choreography of violence from Smedal. In theentity of ritus Sa’o Ngaza, there is a unique concept of human being in the design of ulu palicarvings, which describes the ideology of leadership in the local tradition. The finding of thisconcept can become the model of implementation of the decostruction theory and the semiotictheory which removes and deconstructs binary opposition between the leader (ulu) and the follower(eko)