22 research outputs found
Le Monde sâeffondre? Translating anglophone African literature in the world republic of letters
This article considers translations of African texts from English to French in the context of recent conceptualizations of world literature as a critical approach. Translation is a key mechanism, dynamic and metaphor in world literature. However, its idealized connotations should not distract from the material realities of a process governed by uneven structures of production and reception. Two cases are illustrative: Amos Tutuolaâs LâIvrogne dans la brousse (The Palm-Wine Drinkard) (trans. Raymond Queneau 1953; 1952) and Chinua Achebeâs Le Monde sâeffondre (Things Fall Apart) (trans. Michel Ligny 1966; 1958) published respectively by Gallimard and PrĂ©sence Africaine. The rapturous mainstream reception of Raymond Queneauâs stylistic appropriation of Tutuola is here contrasted with the subdued reception of Achebeâs text in France in the late 1960s. The translatorsâ spectral presence in text and paratext is key to understanding the position of the translated texts in relation to the aesthetic, political and commercial stakes of their publishing contexts. Colonial and postcolonial book history thus confirms the material instability and relationality of any totalizing model of a world literary system and the methodological limits of a singular abstract concept of world literary time or space