Mark my words: an exhibition about marginalia

The book, The Ghost In The Fog has been included in an exhibition about marginalia in the Upper Library, The Queen's College Library, Oxford

Of change and loss: Orchard Park & Lost Horizons

An essay on the photography of Andy Loc

Beyond the book

Delivery of a paper at the Beyond The Book symposium. Organised by the Devon Guild of Craftsmen, which tied in with the exhibition of the same name. Also speaking were Ellen Bell, Su Blackwell, Susan Kruse, Dr. Misha Myers, Tom Bevan and Tom Sowden

M Shed Indentity

Work on the branding and identity of Bristol Museums 'M Shed' The home for Bristol’s conversations: A new £25 million ‘Museum of the city’ on Bristol’s waterfront is due to open in 201

The Nature of Writing – A Theory of Grapholinguistics [book cover]

Cover illustration: Purgatory: Canto VII – The Rule of the Mountain from A Typographic Dante (2008) by Barrie Tullett (also displayed in Barrie Tullett, Typewriter Art: A Modern Anthology, London: Laurence King Publishing, 2014, p. 167). With kind permission by Barrie Tullett. The text is taken from Dante. The Divine Comedy, translated by Dorothy L. Sayers, Harmondsworth­Middlesex: The Penguin Classics, 1949. On the lower part of the illustration, one can read the concluding verses of the Canto: But now the poet was going on before; “Forward!” said he; “look how the sun doth stand Meridian­high, while on the Western shore Night sets her foot upon Morocco’s strand.

The image in the machine: portraiture and the typewriter

Typewriters have been a vehicle for creative image making ever since their invention. Work produced on the machines covers a huge range of themes and styles, including the portrait. Theme: The Form of the Imag

The Many Or The Few

Socialist vs Capitalists Chess gam

Typewriter art: a modern anthology

This book brings together some of the best examples by typewriter artists around the world. As well as key historical work from the Bauhaus, H. N. Werkman and the concrete poets, there is art by contemporary practitioners, both typewriter artists who use the keyboard as a ‘palette’ to create artworks, and artists/typographers using the form as a compositional device

H. N. Werkman

A piece commissioned for COLDFRONT – Singular Vispo :: First Encounters. Artists were asked to talk about their introduction to Visual Poetry and the piece of work that changed the way they saw language

By leaves we live: a talk about the typographic Dante

An invited speaker at The Scottish Poetry Library. A talk about Typewriter Art illustrations for Dante's Purgatory from a larger project about Dante's Divine Comedy