15,940 research outputs found

    Boston University Wind Ensemble, October 25, 2005

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    This is the concert program of the Boston University Wind Ensemble performance on Tuesday, October 25, 2005 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Overture to Candide" by Leonard Bernstein, Serenade No. 12 in C minor, K. 388 by Wolfgang Amadeus Mozart, "Vientos y Tangos" by Michael Gandolfi, and "Dance Movements" by Philip Sparke. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Implementing a Loosely-Coupled Integrated Assessment Model in the Pegasus Workflow Management System

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    Integrated assessment models (IAMs) are commonly used to explore the interactions between different modeled components of socio-environmental systems (SES). Most IAMs are built in a tightly-coupled framework so that the complex interactions between the models can be efficiently implemented within the framework in a straightforward manner. However, tightly-coupled frameworks make it more difficult to change individual models within the IAM because of the high level of integration between the models. Prioritizing flexibility over computational efficiency, the IAM presented here is built using a loosely-coupled framework and implemented in the Pegasus Workflow Management System. The modular nature of loosely-coupled systems allows each component model within the IAM to be easily exchanged for another component model from the same domain assuming each provides the same input / output interface. This flexibility allows researchers to experiment with different models for each SES component and facilitates smoother upgrades between each version of the independently developed component models

    Faculty recital series: Shiela Kibbe, Barbara Poeschl-Edrich, Richard Ranti, and Linda Toote, November 18, 2008

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    This is the concert program of the faculty recital of Shiela Kibbe, Barbara Poeschl-Edrich, Richard Ranti, and Linda Toote on Tuesday, November 18, 2008 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Pastorales de Noel by Andres Jolivet, Ciclo Plateresco, Tema y Variaciones by Joaquin Turina, Grand Duo, Theme and Variacions, op. 2 by Giseppe Giorgis, Sonata by Lowell Liebermann, and The Wind Sall Blaw for Evermair by John H. Wallace. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Boston University Symphony Orchestra, February 2, 2005

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    This is the concert program of the Boston University Symphony Orchestra performance on Wednesday, February 2, 2005 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. The work performed was Symphony No. 1 in C minor, Op. 68 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Boston University Symphony Orchestra, December 5, 2006

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    This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, December 5, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Symphony NO. 88 in G major by Franz Joseph Haydn and Symphony No. 3 in E-flat major, Op. 55 "Eroica" by Ludwig van Beethoven. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Time's Arrow, March 31, 1998

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    This is the concert program of the Time's Arrow performance on Tuesday, March 31, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were For Tōru by Lukas Foss, Water-Ways by Tōru Takemitsu, Meditation for Viola and Strings by Ronald Maltais, and L'histoire du Soldat by Igor Stravinsky. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Boston University Symphony Orchestra, December 13, 1994

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    This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, December 13, 1994 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Celebration by Theodore Antoniou, Renaissance Concerto for Flute and Orchestra by Lukas Foss, and Symphony No. 1 in C minor, Op. 68 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Comparison of a reverse-transverse cross pin technique with a same side cross pin type II external skeletal fixator in 89 dogs

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    The objective of this study was to determine whether a novel reverse-transverse cross pin insertion technique could increase the stability of type II external skeletal fixators (ESF) in dogs compared with an alternate, same side cross pin ESF. Reverse-transverse cross pin technique and type II ESFs same side cross pin technique were applied and compared among subjects. Two of 42 ESFs (4.8%) applied with the reverse-transverse cross pin technique and 39 of 47 ESFs (83%) applied with the same side cross pin technique were subjectively unstable at the time of fixator removal (P < 0.001). The same side cross pin ESFs had significantly more pin tract new bone formation than the reverse-transverse ESFs (P = 0.038). In summary, this approach may provide a method of treating a variety of musculoskeletal conditions and soft tissue cases, which reverse-transverse cross pin ESFs are tolerated in dogs for a variety of conditions

    Boston University Symphony Orchestra, Tuesday, October 6, 1998

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    This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, October 6, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Symphony No. 3 in E-flat major, Op. 55, "Eroica" by Ludwig van Beethoven and Symphony No. 4, Op. 29 "The Inextinguishable" by Carl Nielsen. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
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