9,237 research outputs found

    Icons of desire : the classical statue in later Victorian literature

    Get PDF
    The sculptural trope enjoyed a revival in later Victorian literature, especially the classical sculptural nude. These ancient figures retain their function as mediators between the gods and their human votaries for their Victorian admirers, but they also represent an art that excites desire that is aesthetic and troublingly sensual — sometimes aberrant. In Henry James's 'The Last of the Valerii'; Vernon Lee's Miss Brown and 'Dionea', and Thomas Hardy's 'Barbara of the House of Grebe' classical and neoclassical statues serve as a focus for a critique of the petrifying effects of prevailing attitudes to gender and sexuality

    Business Writing in History: What Caused the Dictamen's Demise?

    Full text link
    Many of the earliest business and administrative letters written in English fol lowed a set of rules called the ars dictaminis, a formal and complex model that prescribed a certain writing style and organization. The necessary pattern of organization was the following: address, salutation, notification, exposition, dispo sition, valediction, and attestation and date. The dictamen almost completely dis appears in the sixteenth century. Did the dictamen disappear suddenly? If so, why? In this paper, I argue that the dictamen disappeared slowly by attrition over the hundred years previous, and further, that it was never universal, as previous scholars have argued. The evidence for the claim that the dictamen was widely used and suddenly disappeared consists mostly of Chancery and government docu ments. When we take into account the mass of business documents involving ordi nary business people, including the largest surviving collection of business docu ments in English before 1500, the Cely papers, we see that by the late fifteenth century, ordinary business people were not following the dictamen's conventions.Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68754/2/10.1177_002194369903600102.pd

    Rocky Mountain Mutual: Promoting Fun or Fitness?

    Full text link
    Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/67323/2/10.1177_108056999806100103.pd

    Discourse in the Marketplace: The Making of Meaning in Annual Reports

    Full text link
    This paper reviews linguistic structures in a series of management messages in the annual reports of Cross & Trecker, a machine tool manufacturer. The docu ments cover the years 1984-1988, which began with prosperity and ended with severe losses. An analysis of how the company communicated this information to its shareholders offers some insights into the motivation and priorities of the Cross & Trecker management. This analysis suggests that a company's public communications are more complex than has been thought. Specific methodology used is based on systemic theory, developed by Halli day (1976, 1978, 1985a, 1985b) and others and employs the systems of transitivity (verb structures), thematic structure (subjects), context and cohesion, and condensations. Verb structures show a predictable increase in passive constructions as the years pass and profits decrease. Regarding other verb structures, however, the results were more complex, including an increase in the use of verbs of "being." Combined with the analysis of thematic structures, which show an increase in nonhuman agents, and contextual features shown by cohesion and condensa tions, the conclusion is that, as the news becomes more negative, linguistic structures suggest a factual, "objective" situation caused by circumstances not attributable to any persons who might otherwise be thought responsible.Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68963/2/10.1177_002194369703400103.pd

    The mower, the sower, and the mayor: Thomas Hardy and Hamo Thornycroft, encounters and affinities

    Get PDF
    This essay explores the intellectual and creative friendship between Thomas Hardy and Hamo Thornycroft, who met in 1883 when they were engaged upon works that were to define their respective careers. Hardy’s The Mayor of Casterbridge and Thornycroft’s The Mower testify to the concern of both artists to dignify with the permanence of art fleeting moments of collision between the old world and the new whilst striving to balance the desire to idealize with the imperatives of the real
    • …
    corecore